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||Prologue : the first great dead white male composer -- The construction of the memorial archive -- Tonaries : a tool for memorizing chant -- Basic theory treatises -- The memorization of organum, discant, and counterpoint treatises -- Compositional process in polyphonic music -- Compositional process and transmission of Notre Dame polyphony -- Visualization and the composition of polyphonic music.
|Bibliography note||Includes bibliographical references (p. 255-279) and index.|
|ISBN||0520240286 (cloth : alk. paper)|