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LEADER 03202cam a22004334a 4500

001 ocm55535135;

003 OCoLC;

005 20141212181812.0;

008 040524s2004 ctuag bk 001 0 eng ;

010 a| 2004048550;

020 a| 0313324352 (alk. paper);

035 a| (Sirsi) o55535135;

035 a| (OCoLC)55535135;

042 a| pcc;

049 a| EREM;

050 00 a| ML3917.U6b| O43 2004;

082 00 a| 780/.973/09032| 22;

100 1 a| Ogasapian, John.=| ^A178751;

245 10 a| Music of the colonial and revolutionary era /c| John Ogasapian.;

260 a| Westport, CT :b| Greenwood Press,c| 2004.;

300 a| xii, 251 pages :b| illustrations, music ;c| 25 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| American history through music;

504 a| Includes bibliographical references (pages 235-245), discography (pages 199-202), and index.;

505 0 a| New Spain -- New England -- The southern colonies -- The middle colonies -- Music of the people -- Music at the margins : Native Americans and African Americans -- The revolutionary period -- Church music in the federal era -- Theatre, concert, and amateur music in the federal era -- An A-Z of early American musical figures.;

520 a| The colonial days of America marked not only the beginnings of a country, but also of a new culture, part of which was the first American music publishers, entrepreneurs, and instrument makers forging musical communities from New England to New Spain. Elements of British, Spanish, German, Scots-Irish, and Native American music all contributed to the many cultures and subcultures of the early nation. While English settlers largely sought to impose their own culture in the new land, the adaptation of native music by Spanish settlers provided an important cultural intersection. The music of the Scots-Irish in the middle colonies planted the seeds of a folk ballad tradition. In New England, the Puritans developed a surprisingly rich--and recreational--musical culture. At the same time, the Regular Singing Movement attempted to reduce the role of the clergy in religious services. More of a cultural examination than a music theory book, this work provides vastly informative narrative chapters on early American music and its role in colonial and Revolutionary culture. Chapter bibliographies, a timeline, and a subject index offer additional resources for readers.;

651 0 a| United Statesx| Social life and customsy| To 1775.=| ^A28053;

651 0 a| United Statesx| Social life and customsy| 1775-1783.=| ^A318347;

830 0 a| American history through music.=| ^A583884;

994 a| X0b| ERE;

596 a| 3;

998 a| 992292;

999 a| ML3917.U6 O43 2004w| LCc| 1i| 30372012701261d| 5/5/2025e| 3/7/2025f| 4/25/2024g| 4l| MSTm| JMUSICn| 5r| Ys| Yt| MGESBKu| 3/24/2005x| BOOKz| MCIRCo| .STAFF. enhanced 2/4/24 -jjab;

Music of the colonial and revolutionary era / John Ogasapian.

Author/creator	Ogasapian, John
Format	Book
Publication Info	Westport, CT : Greenwood Press, 2004.
Description	xii, 251 pages : illustrations, music ; 25 cm.
Subjects	Music--Social aspects. --United States. --History. --16th century. Music--Social aspects. --United States. --History. --17th century. Music--Social aspects. --United States. --History. --18th century. United States--Social life and customs. --To 1775. United States--Social life and customs. --1775-1783.

Series	American history through music American history through music. ^A583884
Contents	New Spain -- New England -- The southern colonies -- The middle colonies -- Music of the people -- Music at the margins : Native Americans and African Americans -- The revolutionary period -- Church music in the federal era -- Theatre, concert, and amateur music in the federal era -- An A-Z of early American musical figures.
Abstract	The colonial days of America marked not only the beginnings of a country, but also of a new culture, part of which was the first American music publishers, entrepreneurs, and instrument makers forging musical communities from New England to New Spain. Elements of British, Spanish, German, Scots-Irish, and Native American music all contributed to the many cultures and subcultures of the early nation. While English settlers largely sought to impose their own culture in the new land, the adaptation of native music by Spanish settlers provided an important cultural intersection. The music of the Scots-Irish in the middle colonies planted the seeds of a folk ballad tradition. In New England, the Puritans developed a surprisingly rich--and recreational--musical culture. At the same time, the Regular Singing Movement attempted to reduce the role of the clergy in religious services. More of a cultural examination than a music theory book, this work provides vastly informative narrative chapters on early American music and its role in colonial and Revolutionary culture. Chapter bibliographies, a timeline, and a subject index offer additional resources for readers.
Bibliography note	Includes bibliographical references (pages 235-245), discography (pages 199-202), and index.
LCCN	2004048550
ISBN	0313324352 (alk. paper)

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML3917.U6 O43 2004	✔ Available	Place Hold

Music of the colonial and revolutionary era / John Ogasapian.

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