| Contents |
Oroonoko: birth of a paradigm / Moira Ferguson -- Juggling the categories of race, class and gender: Aphra Behn's Oroonoko / Margaret W. Ferguson -- "The fair Imoinda': domestic ideology and anti-slavery on the eighteenth-century stage / Jenifer B. Elmore -- Cast-mistresses: the widow figure in Oroonoko / Kristina Bross and Kathryn Rummell -- Owning Oroonoko: Behn, Southerne, and the contingencies of property / Laura J. Rosenthal -- Reproducing Oroonoko: a case study in plagiarism, textual parallelism, and creative borrowing / Rhoda M. Trooboff -- The eighteenth-century marketing of Oroonoko: contending contructions of Maecenas, the author and the slave / Susan B. Iwanisziw -- Reviving Oroonoko 'in the scene': from Thomas Southerne to 'Biyi Bendele / Jessica Munns |
