Wagner and the Romantic hero / Simon Williams.

Author/creator Williams, Simon, 1943-
Format Book
Publication InfoCambridge, UK ; New York : Cambridge University Press, 2004.
Descriptionx, 193 pages ; 24 cm
Subjects

Contents Modes of heroism in the early nineteenth century -- Wagner and the early nineteenth-century theatre -- Early music drama: the isolated hero -- Heroism, tragedy, and the Ring -- The last music-dramas: toward the messiah -- Wagner's heroism on stage.
Abstract Few major artists have aroused the ire and adulation of successive generations as persistently as Richard Wagner. The centre of controversy during his lifetime, when he died he was the most idolized man in Germany. Little has changed since then. In this book based on lectures delivered at the Bayreuth Festival, the author explores the reason for this adulation and antipathy by examining one of the most contested aspects of Wagner's work, his treatment of the hero. He begins by defining heroism as it was understood in Wagner's time and then explores the phenomenon of heroism and the hero in all thirteen of the stage works. He concludes with a survey of how the Wagnerian hero and the idea of heroism has been interpreted on the modern stage. Williams offers a theatrical and cultural reevaluation of one of the most enduring and controversial figures in the history of the arts.
Bibliography noteIncludes bibliographical references (pages 170-187) and index.
LCCN 2003069077
ISBN0521820081

Availability

Library Location Call Number Status Item Actions
Music Music Stacks ML410.W13 W44 2004 ✔ Available Place Hold