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LEADER 03042cam a22004094a 4500

001 ocm52086242;

003 OCoLC;

005 20141212173457.0;

008 030415s2004 nyuag b 001 0 eng ;

010 a| 2003008838;

020 a| 0815335210 (hardback : alk. paper);

035 a| (Sirsi) o52086242;

035 a| (OCoLC)52086242;

042 a| pcc;

049 a| EREM;

050 00 a| ML172b| .E26 2004;

082 00 a| 780/.9/0312| 21;

245 00 a| Early musical borrowing /c| edited by Honey Meconi.;

260 a| New York :b| Routledge,c| 2004.;

300 a| xvii, 230 pages :b| illustrations, music ;c| 24 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Criticism and analysis of early music;

504 a| Includes bibliographical references (pages 207-218) and index.;

520 a| Music in the fifteenth and sixteenth centuries relied heavily on the practice of borrowing. In contrast to later eras, where originality or the appearance of originality was highly prized, composers during this period unselfconsciously based new yorks on preexistent material. It is difficult to understand or analyze many compositions of this time without understanding the various techniques of borrowing. Such an important compositional practice has long been the focus of scholarly attention, with the last decade seeing considerable new activity in this area. This volume brings together eight distinguished contributions discussing numerous aspects of musical borrowing, including how and why composers borrowed, what borrowing meant to them and to their listeners, and how we should approach this music and its models. Musicologists, performers, and students will find it a useful guide to this important issue in early music studies.;

650 0 a| Quotation in music.=| ^A539251;

700 1 a| Meconi, Honey.=| ^A281240;

830 0 a| Criticism and analysis of early music.=| ^A410788;

994 a| X0b| ERE;

596 a| 3;

998 a| 937137;

999 a| ML172 .E26 2004w| LCc| 1i| 30372012251705d| 4/22/2019e| 4/14/2019f| 2/25/2024g| 4l| MSTm| JMUSICn| 14p| $71.40q| 5r| Ys| Yt| MGESBKu| 1/21/2004x| BOOKz| MCIRCo| .STAFF. 0;

Early musical borrowing / edited by Honey Meconi.

Other author	Meconi, Honey.
Format	Book
Publication Info	New York : Routledge, 2004.
Description	xvii, 230 pages : illustrations, music ; 24 cm.
Subjects	Music--Europe. --15th century. --History and criticism. Music--Europe. --16th century. --History and criticism. Quotation in music.

Series	Criticism and analysis of early music Criticism and analysis of early music. ^A410788
Contents	A cultural context for the chanson mass / M. Jennifer Bloxam -- Ockeghem and intertextuality : A composer interprets himself / Murray Steib -- The illusion of allusion / Jenny Hodgson -- Interpreting and dating Josquin's Missa Hercules dux ferrariae / Christophers Reynolds -- Habsburg-Burgundian manuscripts, borrowed material, and the practice of naming / Honey Meconi -- Aspects of musical borrowing in the polyphonic missa de feria of the fifteenth and sixteenth centuries / Andrew H. Weaver -- Mid-sixteenth-century chanson masses : A kaleidoscopic process / Cathy Ann Elias -- Melodic citation in the sixteenth-century motet / Michele Fromson.
Abstract	Music in the fifteenth and sixteenth centuries relied heavily on the practice of borrowing. In contrast to later eras, where originality or the appearance of originality was highly prized, composers during this period unselfconsciously based new yorks on preexistent material. It is difficult to understand or analyze many compositions of this time without understanding the various techniques of borrowing. Such an important compositional practice has long been the focus of scholarly attention, with the last decade seeing considerable new activity in this area. This volume brings together eight distinguished contributions discussing numerous aspects of musical borrowing, including how and why composers borrowed, what borrowing meant to them and to their listeners, and how we should approach this music and its models. Musicologists, performers, and students will find it a useful guide to this important issue in early music studies.
Bibliography note	Includes bibliographical references (pages 207-218) and index.
LCCN	2003008838
ISBN	0815335210 (hardback : alk. paper)

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Music	Music Stacks	ML172 .E26 2004	✔ Available	Place Hold

Early musical borrowing / edited by Honey Meconi.

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