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001 ocm51178173;

003 OCoLC;

005 20141212173030.0;

008 021204s2003 nyua b 001 0 eng ;

010 a| 2002155169;

020 a| 041594208X (alk. paper);

035 a| (Sirsi) o51178173;

035 a| (OCoLC)51178173;

040 a| DLCc| DLCd| YDXd| UtOrBLW;

042 a| pcc;

049 a| EREM;

050 00 a| ML345.I57b| B35 2003;

082 00 a| 780/.9598/62| 21;

100 1 a| Heimarck, Brita Renée,d| 1962-=| ^A565849;

245 10 a| Balinese discourses on music and modernization :b| village voices and urban views /c| Brita Renée Heimarck.;

260 a| New York :b| Routledge,c| 2003.;

300 a| xxv, 367 pages :b| illustrations ;c| 24 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Current research in ethnomusicology ;v| v. 5;

504 a| Includes bibliographical references (pages 343-361) and index.;

505 00 g| Part one.t| Musical discourses from Sukawati: the transition from traditional to modern.t| Historical accounts of the shadow play tradition in Banjar Babakan, Sukawati ;t| Bapak i wayan loceng: proverbs, metaphors, and musical techniques ;t| Interviews with the young generation of shadow play performers in Banjar Babakan, Sukawati --g| Part two.t| Musical discourses in the context of STSI, the Indonesian College for the Arts in Denpasar, Bali: STSI as a mirror of modernization based on continuity and change.t| The practices and principles of STSI: preservation and development of Balinese arts ;t| STSI and scholarship: Balinese written discourses on music and the shadow play ;t| The political role of STSI: Indonesian cultural diplomacy and cultural policy --g| Appendix 1.t| Original Indonesian text of interview, accounts, dialogues, and conversations with scholars and performers from Sukawati --g| Appendix 2.t| Key to the notation and musical transcription of "Sulendra" --g| Appendix 3.t| Original Indonesian text of interview, accounts, dialogues, and conversations with faculty and students at STSI as well as brief citations of Balinese written discourses --g| Appendix 4.t| The opening four verses of Prakempa: Sebuah Lontar Gambelan Bali.;

520 a| While many Western scholars have discussed the technical aspects of Balinese music or the traditional contexts for performance, little has been written in Western languages about Balinese discourses on their music. This dissertation seeks to understand the experience of music in Bali according to Balinese voices through an analysis of oral and written dialogues on music, mainly by musicians and dalangs (shadow play puppeteers) from the village of Sukawati, scholars, teachers, administrators and students from the Indonesian College of the Arts (STSI) in the City of Denpasar. The study examines the influence of modernization on the traditional arts and their role in society. A concentration on Balinese discourses enables individual performers and scholars to represent themselves to a greater extent than previously seen in ethnomusicological scholarship, making this study more of a critical discussion among equals than a Western interpretation of 'others'. This approach permits a rare view into contemporary Balinese conceptions and practices of music.;

610 20 a| STSI Denpasar.?| UNAUTHORIZED;

650 0 a| Wayang.=| ^A205964;

830 0 a| Current research in ethnomusicologyv| v. 5.=| ^A522955;

994 a| X0b| ERE;

596 a| 3;

998 a| 929705;

999 a| ML345.I57 B35 2003w| LCc| 1i| 30372012141732d| 6/16/2016f| 3/13/2025g| 4l| MCSm| JMUSICp| $75.60r| Ys| Yt| MCSSBKu| 1/6/2004x| BOOKz| MCIRCo| .STAFF. 0;

Balinese discourses on music and modernization : village voices and urban views / Brita Renée Heimarck.

Author/creator	Heimarck, Brita Renée, 1962-
Format	Book
Publication Info	New York : Routledge, 2003.
Description	xxv, 367 pages : illustrations ; 24 cm.
Subjects	STSI Denpasar. Music--Indonesia. --Bali Islans. --History and criticism. Musicians--Indonesia. --Bali Island. --Interviews. Wayang.

Series	Current research in ethnomusicology ; v. 5 Current research in ethnomusicology v. 5. ^A522955
Contents	Part one. Musical discourses from Sukawati: the transition from traditional to modern. Historical accounts of the shadow play tradition in Banjar Babakan, Sukawati ; Bapak i wayan loceng: proverbs, metaphors, and musical techniques ; Interviews with the young generation of shadow play performers in Banjar Babakan, Sukawati -- Part two. Musical discourses in the context of STSI, the Indonesian College for the Arts in Denpasar, Bali: STSI as a mirror of modernization based on continuity and change. The practices and principles of STSI: preservation and development of Balinese arts ; STSI and scholarship: Balinese written discourses on music and the shadow play ; The political role of STSI: Indonesian cultural diplomacy and cultural policy -- Appendix 1. Original Indonesian text of interview, accounts, dialogues, and conversations with scholars and performers from Sukawati -- Appendix 2. Key to the notation and musical transcription of "Sulendra" -- Appendix 3. Original Indonesian text of interview, accounts, dialogues, and conversations with faculty and students at STSI as well as brief citations of Balinese written discourses -- Appendix 4. The opening four verses of Prakempa: Sebuah Lontar Gambelan Bali.
Abstract	While many Western scholars have discussed the technical aspects of Balinese music or the traditional contexts for performance, little has been written in Western languages about Balinese discourses on their music. This dissertation seeks to understand the experience of music in Bali according to Balinese voices through an analysis of oral and written dialogues on music, mainly by musicians and dalangs (shadow play puppeteers) from the village of Sukawati, scholars, teachers, administrators and students from the Indonesian College of the Arts (STSI) in the City of Denpasar. The study examines the influence of modernization on the traditional arts and their role in society. A concentration on Balinese discourses enables individual performers and scholars to represent themselves to a greater extent than previously seen in ethnomusicological scholarship, making this study more of a critical discussion among equals than a Western interpretation of 'others'. This approach permits a rare view into contemporary Balinese conceptions and practices of music.
Bibliography note	Includes bibliographical references (pages 343-361) and index.
LCCN	2002155169
ISBN	041594208X (alk. paper)

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Balinese discourses on music and modernization : village voices and urban views / Brita Renée Heimarck.

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