Perspectives on notation and performance / edited by Benjamin Boretz and Edward T. Cone.

Other author Boretz, Benjamin, editor.
Other author Cone, Edward T., editor.
Format Book
EditionFirst edition.
Publication InfoNew York : W. W. Norton & Company, ©1976.
Descriptionx, 212 pages : illustrations ; 21 cm.
Subjects

SeriesThe Perspectives of new music series
Perspectives of new music series. ^A648245
Contents American performance and new music / Gunther Schuller -- Problems and methods of notation / Kurt Stone -- The changing composer-performer relationship: a monologue and a dialogue / Lukas Foss -- The performer's point of view / Leonard Stein -- Notes on the performance of contemporary music / Charles Wuorinen -- Note values / John MacIvor Perkins -- What indeterminate notation determines / David Behrman -- Preparing Stockhausen's Momente / Brock McElheran -- Notation: material and form / Roman Haubenstock-Ramati -- Notation in general: articulation in particular / Donald Martino -- For the flute: a list of double-stops, triple-stops, quadruple-stops, and shakes / John C. Heiss -- A descriptive language for the analysis of electronic music / Brian Fennelly -- Programmed signals to performers: a new compositional resource / Emmanuel Ghent -- On violin harmonics / Paul Zukofsky -- Graphical language for the scores of computer-generated sounds / M.V. Mathews and L. Rosler -- Some multiple-sonorities for flute, oboe, clarinet, and bassoon / John C. Heiss -- Notation for piano / Aloys Kontarsky -- The flute: new sounds / John C. Heiss.
Abstract In this latest addition to the distinguished Norton series of books devoted to informed discussion of contemporary music, the editors have drawn upon articles originally published in Perspectives of New Music that deal with questions of modern notation and performance. Concerning an area in which absolute accuracy is completely out of the question--notation being a highly subjective and relative form of communication--the articles presented in this volume deal with various aspects of the composers' need to codify and record distinctions as well as the performers' interpretations of these distinctions. Both philosophic and practical matters come under scrutiny: for example, the implications of notation in general, and the problem of violin harmonics in particular. The list of authors who have contributed to this collection range from Gunther Schuller to Aloys Kontarsky and include some of the clearest thinkers and best writers in the field of new music.
General note"Essays ... reprinted from issues of Perspectives of new music."
LCCN 75031887
ISBN0393021904 (pbk.)
ISBN0393091937

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