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LEADER 03380cam a22003974a 4500

001 ocm50441023;

003 OCoLC;

005 20141212172002.0;

008 020813s2003 enkg b 001 0 eng ;

010 a| 2002032632;

020 a| 0415281598;

020 a| 0415281601 (pbk.);

035 a| (Sirsi) o50441023;

035 a| (OCoLC)50441023;

042 a| pcc;

049 a| EREM;

050 00 a| ML2075b| .M877 2003;

082 00 a| 781.5/422| 21;

245 00 a| Movie music, the film reader /c| edited by Kay Dickinson.;

260 a| London ;a| New York :b| Routledge,c| 2003.;

300 a| viii, 207 pages :b| music ;c| 24 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| In focus--Routledge film readers;

504 a| Includes bibliographical references (pages 191-194) and indexes.;

520 a| Bringing together material from the areas of documentary, fandom and animation, this book comprises important writings about film music. It is divided into four sections, each with an introduction by the editor. "Essays in the Meanings of the Score" looks at instrumental scores, their production and reception, and questions the onscreen power of the nineteenth century classical genre. "The Place of the Song" turns to popular music, asking how the pop score supports the film narrative. "Formal Politics of Music on Film" considers the subversive power of film music, and in "Crossing Over Into the Narrative" articles address the use of musicians within film narratives, from rockumentaries to pop-stars-as-movie-stars, such as Madonna in Desperately Seeking Susan.;

650 0 a| Motion picture musicx| History and criticism.=| ^A20620;

700 1 a| Dickinson, Kay,d| 1972-=| ^A560792;

830 0 a| In focus--Routledge film readers.=| ^A560791;

994 a| X0b| ERE;

596 a| 3;

998 a| 920908;

999 a| ML2075 .M877 2003w| LCc| 1i| 30372011489850d| 12/12/2019e| 5/12/2019f| 4/9/2024g| 4l| MSTm| JMUSICn| 12p| $22.95q| 1r| Ys| Yt| MGESBKu| 9/25/2003x| BOOKz| MCIRCo| .STAFF. enhanced 1/27/23 -jjab;

Movie music, the film reader / edited by Kay Dickinson.

Other author	Dickinson, Kay, 1972-
Format	Book
Publication Info	London ; New York : Routledge, 2003.
Description	viii, 207 pages : music ; 24 cm.
Subjects	Motion picture music--History and criticism.

Series	In focus--Routledge film readers In focus--Routledge film readers. ^A560791
Contents	Pt. 1. The meanings of the film score. The language of music: a brief analysis of Vertigo / Kathryn Kalinak -- Prejudices and bad habits / Theodor Adorno and Hans Eisler -- Why music?: the sound film and its spectator / Claudia Gorbman -- Reforming "jackass music": the problematic aesthetics of early American film music accompaniment / Tim Anderson -- Pt. 2. The place of the song. Banking on film music: structural interactions of the film and record industries / Jeff Smith -- Cinema, postmodernity and authenticity / Lawrence Grossberg -- The silences of the palace and the anxiety of musical creation / Anastasia Valassopoulos -- Must you remember this?: orchestrating the "standard" pop song in Sleepless in Seattle / Ian Garwood -- Pt. 3. The formal politics of music on film. Whose jazz, whose cinema? / Krin Gabbard -- The animation of sound / Philip Brophy -- Pop, speed, teenagers and the "MTV aesthetic" / Kay Dickinson -- Pt. 4. Crossing over into the narrative. Gender, power, and a cucumber: satarizing masculinity in This Is Spinal Tap / Carl Plantinga -- Manufacturing authenticity: imagining the music industry in Anglo-American cinema, 1956-62 / Keir Keightley -- A Madonna "wanna-be" story on film / Lisa Lewis.
Abstract	Bringing together material from the areas of documentary, fandom and animation, this book comprises important writings about film music. It is divided into four sections, each with an introduction by the editor. "Essays in the Meanings of the Score" looks at instrumental scores, their production and reception, and questions the onscreen power of the nineteenth century classical genre. "The Place of the Song" turns to popular music, asking how the pop score supports the film narrative. "Formal Politics of Music on Film" considers the subversive power of film music, and in "Crossing Over Into the Narrative" articles address the use of musicians within film narratives, from rockumentaries to pop-stars-as-movie-stars, such as Madonna in Desperately Seeking Susan.
Bibliography note	Includes bibliographical references (pages 191-194) and indexes.
LCCN	2002032632
ISBN	0415281598
ISBN	0415281601 (pbk.)

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML2075 .M877 2003	✔ Available	Place Hold

Movie music, the film reader / edited by Kay Dickinson.

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