Virtuosity and the musical work : the Transcendental studies of Liszt / Jim Samson.
| Author/creator | Samson, Jim |
| Format | Book |
| Publication Info | Cambridge, U.K. ; New York : Cambridge University Press, 2003. |
| Description | viii, 240 pages : music ; 26 cm |
| Subjects |
| Contents | Ecology by numbers -- Of maps and materials -- Composing the performance -- Making and remaking -- Forms and reforms -- Suggestion and symbol -- Mazeppa times 7. |
| Abstract | This book is about three sets of etudes by Liszt: the Etude en douze exercises (1826), its reworking as Douzes Grandes Etudes (1837), and their reworking as Douzes etudes d'execution transcendante (1851). At the same time it is a book about nineteenth-century instrumental music in general, in that the three works invite the exploration of features characteristic of the early Romantic era in music. These include: a composer-performer culture, the concept of virtuosity, the significance of recomposition, music and the poetic, and the consolidation of a musical work-concept. A central concern is to illuminate the relationship between the work-concept and a performance- and genre-orientated musical culture. At the same time the book reflects on how we might make judgements of the 'Transcendentals,' of the Symphonic Poem Mazeppa (based on the fourth etude), and of Liszt's music in general. |
| Bibliography note | Includes bibliographical references (pages 227-234) and index. |
| LCCN | 2002031218 |
| ISBN | 0521814944 |
Availability
| Library | Location | Call Number | Status | Item Actions |
|---|---|---|---|---|
| Music | Music Stacks | ML410.L7 S26 2003 | ✔ Available | Place Hold |