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LEADER 03024cam a22004334a 4500

001 ocm49226154;

003 OCoLC;

005 20141212170143.0;

008 020214s2003 enka b 001 0deng ;

010 a| 2002023246;

019 a| 51669437;

020 a| 0754607070 (alk. paper);

035 a| (Sirsi) o49226154;

035 a| (OCoLC)49226154;

040 a| DLCc| DLCd| UKMd| UtOrBLW;

042 a| pcc;

049 a| EREM;

050 00 a| ML410.M9b| I738 2003;

082 00 a| 784.2/62/0922| 21;

090 a| ML410.M69b| I78 2003;

100 1 a| Irving, John,d| 1959-=| ^A294915;

245 10 a| Mozart's piano concertos /c| John Irving.;

300 a| xx, 274 pages :b| illustrations ;c| 25 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

504 a| Includes bibliographical references (pages 252-270) and index.;

520 a| In this study, the author brings together the various strands of scholarship surrounding Mozart's concertos, including analytical approaches, aspects of performance practice, and issues of compositional genesis based on investigation of manuscript and early printed editions.;

600 10 a| Mozart, Wolfgang Amadeus,d| 1756-1791.t| Concertos,m| piano, orchestra.=| ^A504280;

650 0 a| Concertos (Piano)x| History and criticism.=| ^A42487;

994 a| X0b| ERE;

910 a| PromptCat;

980 a| 2003-04-16b| 79.95d| 5.6e| 79.95f| 189190;

590 a| Little-341226--305131048005U;

596 a| 2 3;

998 a| 906309;

999 a| ML410.M9 I738 2003w| LCc| 1i| 30372011891360d| 1/27/2026e| 10/20/2025f| 3/12/2024g| 4l| MSTm| JMUSICn| 23p| $79.95q| 1r| Ys| Yt| MGESBKu| 4/29/2003x| BOOKz| MCIRCo| .STAFF. 0;

Mozart's piano concertos / John Irving.

Author/creator	Irving, John, 1959-
Format	Book
Publication Info	Aldershot, Hants, England ; Burlington, VT : Ashgate, ©2003.
Description	xx, 274 pages : illustrations ; 25 cm
Subjects	Mozart, Wolfgang Amadeus, 1756-1791. Concertos, piano, orchestra. Concertos (Piano)--History and criticism.

Contents	Part one: Contexts: Form, reception and performance. Heinrich Koch and the classical concerto -- Origins of Mozart's piano concertos -- Movement forms I: first movements -- Movement forms II: slow movements -- Movement forms III: finales -- The listener's perspective -- Performance considerations -- Part two: Mozart's piano concertos: a register. Piano concerto in D major, K. 175 -- Piano concerto in B flat major, K. 238 -- Concerto for three (or two) pianos in F major, K. 242 -- Piano concerto in C major, K. 246 -- Piano concerto in E flat major, K. 271 -- Concerto for two pianos in E flat major, K. 365 -- Three concertos in A major, K. 414, in F major, K. 413 and in C major, K. 415 -- Piano concerto in E flat major, K. 449 -- Piano concerto in B flat major, K. 450 -- Piano concerto in D major, K. 451 -- Piano concerto in G. major, K. 453 -- Piano concerto in B flat major, K. 456 -- Piano concerto in F major, K. 459 -- Piano concerto in D minor, K. 466 -- Piano concerto in C major, K. 467 -- Piano concerto in E flat major, K. 482 -- Piano concerto in A major, K. 488 -- Piano concerto in C minor, K. 491 -- Piano concerto in C major, K. 503 -- Piano concerto in D major, K. 537 -- Piano concerto in B. flat major, K. 595.
Abstract	In this study, the author brings together the various strands of scholarship surrounding Mozart's concertos, including analytical approaches, aspects of performance practice, and issues of compositional genesis based on investigation of manuscript and early printed editions.
Local note	Little-341226--305131048005U
Bibliography note	Includes bibliographical references (pages 252-270) and index.
LCCN	2002023246
ISBN	0754607070 (alk. paper)

Availability

Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML410.M9 I738 2003	✔ Available	Place Hold

Mozart's piano concertos / John Irving.

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