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LEADER 02227cam a2200397 a 4500

001 ocm50192156;

003 OCoLC;

005 20141212170051.0;

008 020711s2003 hiua b s001 0 eng ;

010 a| 2002010919;

020 a| 0824825322 (hardcover : alk. paper);

035 a| (Sirsi) o50192156;

035 a| (OCoLC)50192156;

040 a| DLCc| DLCd| C#Pd| UtOrBLW;

043 a| a-cc---;

049 a| EREE;

050 00 a| PN1993.5.C4b| C85 2003;

082 00 a| 791.43/09512| 21;

100 1 a| Cui, Shuqin.=| ^A535703;

245 10 a| Women through the lens :b| gender and nation in a century of Chinese cinema /c| Shuqin Cui.;

300 a| xxvi, 304 pages :b| illustrations ;c| 24 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

504 a| Includes bibliographical references (p. [287]-297) and index.;

505 0 a| Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon.;

650 0 a| Motion picturesz| Chinax| History.=| ^A229174;

650 0 a| Women in motion pictures.=| ^A54881;

650 0 a| Sex role in motion pictures.=| ^A242477;

994 a| X0b| ERE;

910 a| PromptCat;

980 a| 2003-03-26b| 39d| 2.29e| 32.76f| 177507;

596 a| 1;

998 a| 905636;

999 a| PN1993.5.C4 C85 2003w| LCc| 1i| 30372011914428d| 12/5/2019e| 11/26/2019f| 3/4/2013g| 1l| JGESm| JOYNERn| 2p| $32.76r| Ys| Yt| JGESBKu| 4/10/2003x| BOOKz| JSTACKSo| .STAFF. 0;

Women through the lens : gender and nation in a century of Chinese cinema / Shuqin Cui.

Author/creator	Cui, Shuqin
Format	Book
Publication Info	Honolulu : University of Hawaiʻi Press, ©2003.
Description	xxvi, 304 pages : illustrations ; 24 cm
Subjects	Motion pictures--China. --History. Women in motion pictures. Sex role in motion pictures.

Contents	Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon.
Bibliography note	Includes bibliographical references (p. [287]-297) and index.
LCCN	2002010919
ISBN	0824825322 (hardcover : alk. paper)

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Library	Location	Call Number	Status	Item Actions
Joyner	General Stacks	PN1993.5.C4 C85 2003	✔ Available	Place Hold

Women through the lens : gender and nation in a century of Chinese cinema / Shuqin Cui.

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