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LEADER 03932cam a22003854a 4500

001 ocm49312696;

003 OCoLC;

005 20141212165631.0;

008 020312s2002 enka b 001 0deng ;

010 a| 2002003944;

019 a| 50999981;

020 a| 0851159028 (alk. paper);

035 a| (Sirsi) o49312696;

035 a| (OCoLC)49312696;

042 a| pcc;

049 a| EREM;

050 00 a| ML410.C756b| C66 2002;

082 00 a| 780/.922| 21;

245 00 a| Copland connotations :b| studies and interviews /c| edited by Peter Dickinson ; with a foreword by H. Wiley Hitchcock.;

260 a| Woodbridge, Suffolk, UK ;a| Rochester, NY :b| Boydell Press,c| 2002.;

300 a| xviii, 210 pages :b| illustrations ;c| 25 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

504 a| Includes bibliographical references and indexes.;

520 a| The contributors to this book--both American and British--include the leading figures in Copland studies. Pre-eminent among these is Vivian Perlis, whose two-volume memoirs were written in collaboration with the composer himself; then Howard Pollack, whose substantial biography of Copland has been acclaimed; and also other established specialists in American music such as Stephen Banfield, William Brooks, Mark DeVoto, Peter Dickinson, David Schiff, Larry Starr and the distinguished analyst Arnold Whittall. Brilliant studies from young scholars are a special feature--Jessica Burr, Jennifer DeLapp, Sally Bick, Daniel E. Mathers and Marta Robertson. These all offer exciting new perspectives on Copland's work; unique reflections on his private life; and indicate the undoubted vitality of his appeal to future generations. The British-based team of authors, along with Anthony Burton, David Nicholls and Bayan Northcott, engages in a lively open forum discussion covering many issues in connection with Copland and his work. And finally this book brings Copland himself into the picture by providing transcriptions of two previously unpublished interviews Copland gave to Peter Dickinson at Keele University in 1976.;

600 10 a| Copland, Aaron,d| 1900-1990x| Criticism and interpretation.=| ^A635212;

600 10 a| Copland, Aaron,d| 1900-1990v| Interviews.=| ^A635212;

700 1 a| Dickinson, Peter,d| 1934-e| editor.=| ^A180442;

994 a| X0b| ERE;

596 a| 3;

998 a| 902399;

999 a| ML410.C756 C66 2002w| LCc| 1i| 30372011421689d| 12/15/2025e| 10/1/2025f| 3/6/2024g| 5l| MSTm| JMUSICn| 30p| $60.00q| 4r| Ys| Yt| MGESBKu| 2/5/2003x| BOOKz| MCIRCo| .STAFF. enhanced 6/23/21 -jmusictech;

Copland connotations : studies and interviews / edited by Peter Dickinson ; with a foreword by H. Wiley Hitchcock.

Other author	Dickinson, Peter, 1934- editor.
Format	Book
Publication Info	Woodbridge, Suffolk, UK ; Rochester, NY : Boydell Press, 2002.
Description	xviii, 210 pages : illustrations ; 25 cm
Subjects	Copland, Aaron, 1900-1990--Criticism and interpretation. Copland, Aaron, 1900-1990--Interviews.

Contents	Part I. Copland and his context. Copland and the 'Boulangerie' / Mark DeVoto -- Copland and the 'Jazz boys' / David Schiff -- Copland, the west and American identity / Jessica Barr -- Copland and music for dance: questioning fundamental assumptions / Marta Robertson -- Copland on Hollywood / Sally Bick -- Part II. Copland, performers and other composers. Aaron Copland and John Kirkpatrick: 'dear John, can you help me out?' / Vivian Perils -- Copland, Gershwin and the American landscape / Howard Pollack -- Copland, Ives and gambling with the future / Larry Starr -- Part III. Studies of individual works. Speaking to whom? Modernism, middlebrow and Copland's Short Symphony / Jennifer DeLapp -- Simple gifts and complex accretions / William Brooks -- Expanding horizons: sexuality and the re-zoning of The Tender Land / Daniel E. Mathers -- Technique and rhetoric in the Piano Fantasy / Arnold Whitall -- Part IV. Responses to Copland. Copland and the Broadway sound / Stephen Banfield -- Copland's earlier British connections / Peter Dickinson -- Open forum discussion / Stephen Banfield, William Brooks, Anthony Burton, Peter Dickinson (chair), David Nicholls, Bayan Northcott and Arnold Whittall -- Part V. Two interview with Aaron Copland (1976).
Abstract	The contributors to this book--both American and British--include the leading figures in Copland studies. Pre-eminent among these is Vivian Perlis, whose two-volume memoirs were written in collaboration with the composer himself; then Howard Pollack, whose substantial biography of Copland has been acclaimed; and also other established specialists in American music such as Stephen Banfield, William Brooks, Mark DeVoto, Peter Dickinson, David Schiff, Larry Starr and the distinguished analyst Arnold Whittall. Brilliant studies from young scholars are a special feature--Jessica Burr, Jennifer DeLapp, Sally Bick, Daniel E. Mathers and Marta Robertson. These all offer exciting new perspectives on Copland's work; unique reflections on his private life; and indicate the undoubted vitality of his appeal to future generations. The British-based team of authors, along with Anthony Burton, David Nicholls and Bayan Northcott, engages in a lively open forum discussion covering many issues in connection with Copland and his work. And finally this book brings Copland himself into the picture by providing transcriptions of two previously unpublished interviews Copland gave to Peter Dickinson at Keele University in 1976.
Bibliography note	Includes bibliographical references and indexes.
LCCN	2002003944
ISBN	0851159028 (alk. paper)

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Music	Music Stacks	ML410.C756 C66 2002	✔ Available	Place Hold

Copland connotations : studies and interviews / edited by Peter Dickinson ; with a foreword by H. Wiley Hitchcock.

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