| Series |
Festschrift series ; no. 17
Festschrift series ; no. 17. ^A234748
|
| Contents |
Hispanic music in the diaspora. The expanding Latin American musicological horizon / Robert M. Stevenson -- Cristóbal de Morales' Circumdederunt me, an alternate invitatory for Matins for the Dead, and music for Charles V / G. Grayson Wagstaff -- Rediscovered works of Philippe Rogier in Spanish and Mexican instrumental manuscripts / Douglas Kirk -- Renaissance, post-Renaissance, and progressive: some issues of style in sacred polyphony of seventeenth-century Mexico / Lester D. Brothers -- Manuel de Sumaya: reexamining the a capella choral music of a Mexican master / Craig Russell -- The Guatemalan Cathedral Music repertoire: reflections on the testamentos of Manuel de Quiros and Rafael Antonio Castellanos / Alfred E. Lemmon -- The Misa Viscaína: an eighteenth-century musical odyssey to Alta California / William J. Summers -- A propósito de los cincuenta años de la Revista Musical Chilena algunas reflexiones sobrelos horizontes musicológicos de Chile y América Latina / Luis Merino -- Music in Spain and Portugal. Two twelfth-century fragments in Zamora: representatives of a period of transition / Kathleen E. Nelson -- Organería Medieval en Aragón / Pedro Calahorra -- The church music of fifteenth-century Spain: a handlist / Kenneth Kreitner -- Juan de Anchieta (ca. 1462-1523) y los Salmos del 'CMV' / Dionisio Preciado -- Francesco de Peñalosa; new works lost and found / Tess Knighton -- Phantom attributions or new works by Antoine Brumel in an Iberian manuscript / Emilio Ros-Fábregas -- "Wanted, one Maestro de Capilla;" a sixteenth-century job description / Jane Hardie -- Music in the house of the Third Duke of Béjar: ca. 1520-1544 / Eleanor Russell (posthumous) -- Muddara's instrumental glosas: imitation and homage in a Spanish style / Deborah Lawrence -- The transmission of secular polyphony in Renaissance Spain, Estaban Daza, and Rodrigo de Ceballos / John Griffiths -- Patronazgo Musical en la Capilla Real de Granada durante el siglo XVI. 1. Los Musicos Prebendados / Juan Ruiz Jiménez -- "Recalling Cristóbal de Morales to mind": emulation in Guerrero's Sacrae Cantiones of 1555 / Owen Rees -- Music for the Holy Week Liturgy in the sixteenth century: a study of the single-composer prints / Eugene Casjen Cramer -- Multiple settings of the Salve Regina antiphon: Tomás Luis de Victoria's contribution to the Renaissance Veneration of the Virgin / Lucy Hruza -- El Maestro de Capilla Diego de Bruceña (1567-1623) y el impreso perdido de su Libro de Misas, magnificats y motetes (Salamanca: Susana Muñoz, 1620) / Alejandro Iglesias -- Los motetes de Miguel de Irízar / José López-Calo -- Dulcisimo Dueño by Sebastián Durón: a "poster child" for the Baroque villancico / Paul R. Laird -- Writing opera in nineteenth-century Portugal: Francisco de Sá Noronha and L'Arco de sant'Anna / Luísa Cymbron -- Spanish folk modes and their transformations in the music of early twentieth-century Spanish composers / Elliott Antokoletz -- Music in other regions. Sobre el Discanto y el "Repertorio Polifonico de Notre Dame de Paris", Siglos XII y XIII / Ismael Fernández de la Cuesta -- Exotismo y alteridad en la música europea: "arabismos musicales", arte y ciencia / Reynaldo Fernández Manzano -- Intervallic and cantus firmus treatment in late fauxbourdon and faburdon / Ernest Trumble -- Thomas Crequillon and the chanson cycle / Laura Youens -- Palestrina's Magnificats: a brief survey / Jeffrey G. Kurtzman -- Handel as victim: composer-publisher relations and the discourse of musicology / David Hunter -- Arcadian elements in Die Winterreise: bringing Sidney's sundogs to light / Vivian Ramalingam -- The Romanov family's patronage of music, 1820-1880 / Anne Swarz -- Is female to male as postmodern is to modern? Implications for a new ethno/musicology / Ellen Koskoff -- Writings by Robert J. Snow / David Hunter, compiler -- The literary estate of Robert J. Snow / José López-Calo. |
| Abstract |
Professor Snow's auspicious debut in musicology came in 1958 as the author of the chapter on Old Roman chant in Willi Apel's Gregorian Chant. He completed his doctorate at the University of Illinois in 1968, and his major faculty appointments have been at the University of Pittsburgh, University of Illinois, and University of Texas. His publications range from the medieval era to the baroque, most of them dealing with sacred music in Spain,Portugal, the Hispanic New World, and eastern Europe. The book will present over 40 articles by scholars from seven different countries, most of them specialists in the music of Spain, Portugal, or the Hispanic New World. |
| Bibliography note | Includes bibliographical references and index. |
| Language | Text in English and Spanish. |
| LCCN | 97035859 |
| ISBN | 0945193831 |
