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003 OCoLC;

005 20141212164125.0;

008 011012s2002 ctua 001 0 eng ;

010 a| 2001054717;

019 a| 49832854;

020 a| 0313314209 (alk. paper);

035 a| (Sirsi) o48170900;

035 a| (OCoLC)48170900;

042 a| pcc;

049 a| EREM;

050 00 a| ML1380b| .E36 2002;

082 00 a| 786.72| 21;

245 00 a| Electroacoustic music :b| analytical perspectives /c| edited by Thomas Licata, foreword by Jean-Claude Risset.;

260 a| Westport, CT :b| Greenwood Press,c| 2002.;

300 a| xxiv, 242 pages :b| illustrations ;c| 25 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Contributions to the study of music and dance ;v| no. 63,x| 0193-9041 ;;

504 a| Includes bibliographical references and index.;

520 a| Electroacoustic music, a flourishing medium for over half a century, remains today, in a wide array of technological forms, one of the major areas of creative activity in music. However, it has long been overlooked in theoretical studies--possibly in part because it does away with traditional scores and notation. In this landmark collection, a group of distinguished composers and theorists who have actively worked in the field present detailed analyses of important electroacoustic works while also demonstrating some recent approaches to the analysis of the music of this medium. Included here are discussions of such significant works as Karlheinz Stockhausen's Gesang der Jünglinge (1955/56), Iannis Xenakis' Diamorphoses (1957), and Jean-Claude Risset's Contours (1982). Overall, the collection aims to elucidate the sonic design of each of the electroacoustic music works under investigation, using its best examples as a lens through which to examine an unduly neglected genre. Demonstrating recent techniques in the analysis of electroacoustic music, the volume also considers various compositional approaches as well as computer applications that have become an irreplaceable tool in the composing of this music. So little has been written about this 20th-century art form that this book is at once a fresh, bold step forward in musicology and analysis.;

650 0 a| Electronic musicx| History and criticism.=| ^A34792;

650 0 a| Musical analysis.=| ^A113364;

700 1 a| Licata, Thomas,d| 1961-e| editor.=| ^A525774;

830 0 a| Contributions to the study of music and dance ;v| no. 63.=| ^A466730;

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910 a| PromptCat;

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Electroacoustic music : analytical perspectives / edited by Thomas Licata, foreword by Jean-Claude Risset.

Other author	Licata, Thomas, 1961- editor.
Format	Book
Publication Info	Westport, CT : Greenwood Press, 2002.
Description	xxiv, 242 pages : illustrations ; 25 cm.
Subjects	Electronic music--History and criticism. Musical analysis.

Series	Contributions to the study of music and dance ; no. 63, 0193-9041 ; Contributions to the study of music and dance ; no. 63. ^A466730
Contents	Foreword / Jean-Claude Risset -- Introduction / Thomas Licata -- Through the sensory looking-glass: the aesthetic and serial foundations of Gesang der Jünglinge / Pascal Decroupet and Elena Ungeheuer -- Diamorphoses by Iannis Xenakis / Thomas DeLio -- Koenig ; Sound composition ; Essay / Konrad Boehner -- Luigi Nono's Ommaggio a Emilio Vedova / Thomas Licata -- Serial composition, serial form, and process in Karlheinz Stockhausen's Telemusik / Jerome Kohl -- Subscore manipulation as a tool for compositional and sonic design / Otto Laske -- Story of emergence and dissolution: analytical sketches of Jean-Claude Risset's Contours / Agostino Di Scipio -- Looking into Sequence symbols / James Dashow -- Oppositional dialectics in Joji Yuasa's The Sea Darkens / Kristian Twombly.
Abstract	Electroacoustic music, a flourishing medium for over half a century, remains today, in a wide array of technological forms, one of the major areas of creative activity in music. However, it has long been overlooked in theoretical studies--possibly in part because it does away with traditional scores and notation. In this landmark collection, a group of distinguished composers and theorists who have actively worked in the field present detailed analyses of important electroacoustic works while also demonstrating some recent approaches to the analysis of the music of this medium. Included here are discussions of such significant works as Karlheinz Stockhausen's Gesang der Jünglinge (1955/56), Iannis Xenakis' Diamorphoses (1957), and Jean-Claude Risset's Contours (1982). Overall, the collection aims to elucidate the sonic design of each of the electroacoustic music works under investigation, using its best examples as a lens through which to examine an unduly neglected genre. Demonstrating recent techniques in the analysis of electroacoustic music, the volume also considers various compositional approaches as well as computer applications that have become an irreplaceable tool in the composing of this music. So little has been written about this 20th-century art form that this book is at once a fresh, bold step forward in musicology and analysis.
Bibliography note	Includes bibliographical references and index.
LCCN	2001054717
ISBN	0313314209 (alk. paper)

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Electroacoustic music : analytical perspectives / edited by Thomas Licata, foreword by Jean-Claude Risset.

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