ECU Libraries Catalog

Medieval woman's song : cross-cultural approaches / edited by Anne L. Klinck and Ann Marie Rasmussen.

Other author/creatorKlinck, Anne L., 1943- editor.
Other author/creatorRasmussen, Ann Marie, editor.
Format Book and Print
Publication InfoPhiladelphia, PA : University of Pennsylvania Press, ©2002.
Descriptionviii, 279 pages ; 25 cm.
Subject(s)
Series Middle Ages series
Middle Ages series. ^A511997
Contents Sappho and her daughters: some parallels between ancient and medieval woman's song / Anne L. Klinck -- Ides, geomrode giddum: the Old English female lament / Pat Belanoff -- Women's performance of the lyric before 1500 / Susan Boynton -- Ca no soe joglaresa: women and music in medieval Spain's three cultures / Judith R. Cohen -- Feminine voices in the Galician-Portuguese cantigas de amigo / Esther Corral -- Sewing like a girl: working women in the chansons de toile / E. Jane Burns -- Fictions of the female voice: the women troubadors / Matilda Tomaryn Bruckner -- Conception of female roles in the woman's song of Reinmar and the Contessa de Dia / Ingrid Kasten -- Reason and the female voice in Walther von der Vogelweide's poetry / Ann Marie Rasmussen -- Ventriloquisms: when maidens speak in English songs, c. 1300-1550 / Judith M. Bennett.
Abstract The number of surviving medieval secular poems attributed to named female authors is small, some of the best known being those of the trobairitz the female troubadours of southern France. However, there is a large body of poetry that constructs a particular textual femininity through the use of the female voice. Some of these poems are by men and a few by women (including the trobairitz); many are anonymous, and often the gender of the poet is unresolvable. A "woman's song" in this sense can be defined as a female-voice poem on the subject of love, typically characterized by simple language, sexual candor, and apparent artlessness. The chapters in this book bring together scholars in a range of disciplines to examine how both men and women contributed to this art form. Without eschewing consideration of authorship, the collection deliberately overturns the long-standing scholarly practice of treating as separate and distinct entities female-voice lyrics composed by men and those composed by women. What is at stake here is less the voice of women themselves than its cultural and generic construction.
Bibliography noteIncludes bibliographical references (pages 205-259), discography (pages 64-65), and index.
LCCN 2001043073
ISBN0812236246 (alk. paper)

Available Items

Library Location Call Number Status Item Actions
Music Music Stacks ML82 .M45 2002 ✔ Available Place Hold