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LEADER 03074cam a22004454a 4500

001 ocm47013261;

003 OCoLC;

005 20141212162159.0;

008 010516s2002 nyuag b 001 0 eng ;

010 a| 2001034879;

020 a| 0815334508;

035 a| (Sirsi) o47013261;

035 a| (OCoLC)47013261;

040 a| DLCc| DLCd| C#Pd| UtOrBLW;

042 a| pcc;

049 a| EREM;

050 00 a| ML2100b| .B47 2002;

082 00 a| 782.12| 21;

245 00 a| Between opera and cinema /c| edited by Jeongwon Joe and Rose Theresa.;

260 a| New York :b| Routledge,c| 2002.;

300 a| xv, 244 pages :b| illustrations, music ;c| 24 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Critical and cultural musicology;

504 a| Includes bibliographical references and index.;

505 00 t| From Méphistophélès to Méliès: spectacle and narrative in opera and early film /r| Rose Theresa --g| "There ain't no sanity claus!"t| The Marx Brothers at the opera /r| Michal Grover-Friedlander --t| The tales of Hoffman: an instance of operality /r| Lesley Stern --t| The cinematic body in the operatic theater: Philip Glass's La belle et la bête /r| Jeongwon Joe --t| Why does Hollywood like opera? /r| Marc A. Weiner --t| Opera in film: sentiment and wit, feeling and knowing: The Shawshank Redemption and Prizzi's honor /r| Mary Hunter --t| Is there a text in this libido? Diva and the rhetoric of contemporary opera criticism /r| David J. Levin --t| The elusive voice: absence and presence in Jean-Pierre Ponnelle's film Le nozze di Figaro /r| Marcia J. Citron --t| Verdi in postwar Italian cinema / Deborah Crisp and Roger Hillman --t| Chinese opera, global cinema, and the ontology of the person: Chen Kaige's Farewell my concubine /r| Teri Silvio --t| Sounding out the operatic: Jacques Rivette's Noroît /r| Mary M. Wiles.;

520 a| Filmmakers have been fascinated with opera since the earliest days of silent film, and the many adaptations of opera for the screen underscore both the affinities and differences between these two media. Despite the century-long. mutual attraction between opera and cinema, there are but a handful of book-length studies devoted to the topic. By offering a mapping out of some of the richly ambivalent spaces between the two forms of representation, this volume stimulates more dialogue within and beyond the growing community of opera cinema studies.;

650 0 a| Motion pictures and opera.=| ^A516483;

650 0 a| Operasx| Television adaptations.=| ^A52293;

650 0 a| Operasx| Film adaptations.=| ^A52293;

700 1 a| Joe, Jeongwon,e| editor.=| ^A516484;

700 1 a| Theresa, Rose,e| editor.=| ^A516485;

830 0 a| Critical and cultural musicology.=| ^A516482;

994 a| X0b| ERE;

910 a| PromptCat;

980 a| 2002-04-17b| 95d| 5.19e| 79.8f| 6982;

596 a| 3;

998 a| 875203;

999 a| ML2100 .B47 2002w| LCc| 1i| 30372011521389d| 12/6/2017e| 11/18/2013f| 4/9/2024g| 4l| MSTm| JMUSICn| 5p| $79.80q| 1r| Ys| Yt| MGESBKu| 5/3/2002x| BOOKz| MCIRCo| .STAFF. enhanced 1/30/23 -jjab;

Between opera and cinema / edited by Jeongwon Joe and Rose Theresa.

Other author	Joe, Jeongwon, editor.
Other author	Theresa, Rose, editor.
Format	Book
Publication Info	New York : Routledge, 2002.
Description	xv, 244 pages : illustrations, music ; 24 cm.
Subjects	Motion pictures and opera. Operas--Television adaptations. Operas--Film adaptations.

Series	Critical and cultural musicology Critical and cultural musicology. ^A516482
Contents	From Méphistophélès to Méliès: spectacle and narrative in opera and early film / Rose Theresa -- "There ain't no sanity claus!" The Marx Brothers at the opera / Michal Grover-Friedlander -- The tales of Hoffman: an instance of operality / Lesley Stern -- The cinematic body in the operatic theater: Philip Glass's La belle et la bête / Jeongwon Joe -- Why does Hollywood like opera? / Marc A. Weiner -- Opera in film: sentiment and wit, feeling and knowing: The Shawshank Redemption and Prizzi's honor / Mary Hunter -- Is there a text in this libido? Diva and the rhetoric of contemporary opera criticism / David J. Levin -- The elusive voice: absence and presence in Jean-Pierre Ponnelle's film Le nozze di Figaro / Marcia J. Citron -- Verdi in postwar Italian cinema / Deborah Crisp and Roger Hillman -- Chinese opera, global cinema, and the ontology of the person: Chen Kaige's Farewell my concubine / Teri Silvio -- Sounding out the operatic: Jacques Rivette's Noroît / Mary M. Wiles.
Abstract	Filmmakers have been fascinated with opera since the earliest days of silent film, and the many adaptations of opera for the screen underscore both the affinities and differences between these two media. Despite the century-long. mutual attraction between opera and cinema, there are but a handful of book-length studies devoted to the topic. By offering a mapping out of some of the richly ambivalent spaces between the two forms of representation, this volume stimulates more dialogue within and beyond the growing community of opera cinema studies.
Bibliography note	Includes bibliographical references and index.
LCCN	2001034879
ISBN	0815334508

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Between opera and cinema / edited by Jeongwon Joe and Rose Theresa.

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