Tools

LEADER 04341nam a22003974a 4500

001 ocm43631956;

003 OCoLC;

005 20141212162043.0;

008 000309s2001 enk b 001 0deng ;

010 a| 00029309;

019 a| 44483874a| 48418309;

020 a| 0754601102 (alk. paper);

035 a| (Sirsi) o43631956;

035 a| (OCoLC)43631956;

042 a| pcc;

049 a| EREM;

050 00 a| ML410.B88b| P45 2001;

082 00 a| 780/.922| 21;

245 00 a| Perspectives on Anton Bruckner /c| edited by Crawford Howie, Paul Hawkshaw, and Timothy Jackson.;

300 a| xxvii, 412 pages :b| illustrations ;c| 24 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

504 a| Includes bibliographical references and indexes.;

505 00 g| Part one.t| Theoretical perspective and compositional practice.t| A composer learns from his craft: lessons in form and orchestration, 1861-3 /r| Paul Hawkshaw --t| Bruckner's Oktaven: the problem of consecutives, doubling, and orchestral voice-leading /r| Timothy L. Jackson --g| Part two.t| Symphonist: analytical considerations.t| The early version of the second symphony /r| William Carragan --t| Master and disciple united: the 1889 finale of the third symphony /r| Thomas Roder --t| Continuity in the fourth symphony (first movement) /r| Edward Laufer --t| The expressive role of disjunction: a semiotic approach to form and meaning in the fourth and fifth symphonies /r| Robert S. Hatten --t| "Harmonic daring" and symphonic design in the sixth symphony: an essay in historical musical analysis /r| Benjamin M. Korstvedt --t| The adagio of the sixth symphony and the anticipatory tonic recapitulation in Bruckner, Brahms and Dvorak /r| Timothy L. Jackson --t| Bruckner's free application of strict Sechterian theory with stimulation from Wagnerian sources: an assessment of the first movement of the seventh symphony /r| Graham H. Phipps --t| Musical time in the eighth symphony /r| Joseph C. Kraus --t| The facts behind a "legend": the ninth symphony and the Te Deum /r| John A. Phillips --g| Part three.t| Man, musician and reception.t| On unity between Bruckner's personality and production /r| Constantin Floros --t| Bruckner - the travelling virtuoso /r| Crawford Howie --t| Students and friends as "prophets" and "promoters": the reception of Bruckner's works in the Wiener Akademische Wagner-Verein /r| Andrea Harrandt --t| Anton Bruckner and "German music": Josef Schalk and the establishment of Bruckner as a national composer /r| Thomas Leibnitz --t| Siegmund von Hausegger: a Bruckner authority from the 1930s /r| Christa Brustle --t| Ludwig Wittgenstein's remarks on Bruckner /r| Peter Palmer --t| Richard Wetz (1975-1935): a Brucknerian composer /r| Erik Levi.;

520 a| A century after his death Anton Bruckner still remains one of the most complex and enigmatic creative personalities of the nineteenth century. A leading avant-garde figure of his generation, he was an accomplished performer and teacher in addition to being a great composer; few people in the history of western music can boast his level of achievement in all these areas combined. This book, a collection of essays written by an international group of scholars, offers diverse theoretical and musicological perspectives on Bruckner the composer-teacher-performer. Facets of his formidable theoretical training and his application of it as part of the compositional process are explored. A variety of analytical methodologies is used to examine the Second through to the Ninth Symphonies, the heart of the composer's mature repertoire. Finally, aspects of Bruckner's career as a teacher and performer, his complex personality, his influence and dissemination of his music are considered.;

600 10 a| Bruckner, Anton,d| 1824-1896x| Criticism and interpretation.=| ^A635616;

700 1 a| Howie, Crawford,d| 1942-e| editor.=| ^A515574;

700 1 a| Hawkshaw, Paul,d| 1950-e| editor.=| ^A395518;

700 1 a| Jackson, Timothy L.,e| editor.=| ^A395517;

994 a| X0b| ERE;

596 a| 3;

998 a| 873810;

999 a| ML410.B88 P45 2001w| LCc| 1i| 30372011630479d| 4/10/2018e| 4/8/2018f| 2/28/2024g| 5l| MSTm| JMUSICn| 17q| 1r| Ys| Yt| MGESBKu| 4/19/2002x| BOOKz| MCIRCo| .STAFF. enhanced 6/10/21 -jjab;

Perspectives on Anton Bruckner / edited by Crawford Howie, Paul Hawkshaw, and Timothy Jackson.

Other author	Howie, Crawford, 1942- editor.
Other author	Hawkshaw, Paul, 1950- editor.
Other author	Jackson, Timothy L., editor.
Format	Book
Publication Info	Aldershot ; Burlington : Ashgate, ©2001.
Description	xxvii, 412 pages : illustrations ; 24 cm
Subjects	Bruckner, Anton, 1824-1896--Criticism and interpretation.

Contents	Part one. Theoretical perspective and compositional practice. A composer learns from his craft: lessons in form and orchestration, 1861-3 / Paul Hawkshaw -- Bruckner's Oktaven: the problem of consecutives, doubling, and orchestral voice-leading / Timothy L. Jackson -- Part two. Symphonist: analytical considerations. The early version of the second symphony / William Carragan -- Master and disciple united: the 1889 finale of the third symphony / Thomas Roder -- Continuity in the fourth symphony (first movement) / Edward Laufer -- The expressive role of disjunction: a semiotic approach to form and meaning in the fourth and fifth symphonies / Robert S. Hatten -- "Harmonic daring" and symphonic design in the sixth symphony: an essay in historical musical analysis / Benjamin M. Korstvedt -- The adagio of the sixth symphony and the anticipatory tonic recapitulation in Bruckner, Brahms and Dvorak / Timothy L. Jackson -- Bruckner's free application of strict Sechterian theory with stimulation from Wagnerian sources: an assessment of the first movement of the seventh symphony / Graham H. Phipps -- Musical time in the eighth symphony / Joseph C. Kraus -- The facts behind a "legend": the ninth symphony and the Te Deum / John A. Phillips -- Part three. Man, musician and reception. On unity between Bruckner's personality and production / Constantin Floros -- Bruckner - the travelling virtuoso / Crawford Howie -- Students and friends as "prophets" and "promoters": the reception of Bruckner's works in the Wiener Akademische Wagner-Verein / Andrea Harrandt -- Anton Bruckner and "German music": Josef Schalk and the establishment of Bruckner as a national composer / Thomas Leibnitz -- Siegmund von Hausegger: a Bruckner authority from the 1930s / Christa Brustle -- Ludwig Wittgenstein's remarks on Bruckner / Peter Palmer -- Richard Wetz (1975-1935): a Brucknerian composer / Erik Levi.
Abstract	A century after his death Anton Bruckner still remains one of the most complex and enigmatic creative personalities of the nineteenth century. A leading avant-garde figure of his generation, he was an accomplished performer and teacher in addition to being a great composer; few people in the history of western music can boast his level of achievement in all these areas combined. This book, a collection of essays written by an international group of scholars, offers diverse theoretical and musicological perspectives on Bruckner the composer-teacher-performer. Facets of his formidable theoretical training and his application of it as part of the compositional process are explored. A variety of analytical methodologies is used to examine the Second through to the Ninth Symphonies, the heart of the composer's mature repertoire. Finally, aspects of Bruckner's career as a teacher and performer, his complex personality, his influence and dissemination of his music are considered.
Bibliography note	Includes bibliographical references and indexes.
LCCN	00029309
ISBN	0754601102 (alk. paper)

Availability

Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML410.B88 P45 2001	✔ Available	Place Hold

Perspectives on Anton Bruckner / edited by Crawford Howie, Paul Hawkshaw, and Timothy Jackson.

Click here for more information about this title

Availability