ECU Libraries Catalog

Yonder come the blues : the evolution of a genre / Paul Oliver, Tony Russell, Robert M. W. Dixon, John Godrich, and Howard Rye.

Format Book and Print
Publication InfoCambridge ; New York : Cambridge University Press, ©2001.
Descriptionxiii, 358 pages : illustrations, maps ; 26 cm
Subject(s)
Other author/creatorOliver, Paul, 1927-2017.
Included WorkOliver, Paul, 1927-2017. Savannah syncopators.
Included WorkRussell, Tony, 1946- Blacks, whites, and blues.
Included WorkDixon, Robert M. W., 1939- Recording the blues.
Contents Introduction: Yonder come the blues / Paul Oliver -- Savannah syncopators: African retentions in the blues / Paul Oliver. Afternoon: Nangodi ; Africa and the jazz historian ; Music in West Africa ; Savannah song ; The source of the slaves ; Africa and the blues ; Afterword ; Glossary of African instruments ; Glossary of tribes and people ; Record list -- Blacks, whites, and blues / Tony Russell. Foreword ; Minstrelsy ; Old familiar tunes ; Letting out the blues ; 'That's the idea of the white people' ; Out west ; Out east ; Afterword ; Recommended recordings -- Recording the blues / Robert M.W. Dixon and John Godrich. Foreword ; Birth of an industry ; The new market, 1920-1922 ; The classic blues, 1923-1926 ; Into the field, 1927-1930 ; Hard times, 1931-1934 ; Urban blues, 1934-1940 ; End of an era, 1941-1945 ; Further information ; Afterword / Howard Rye.
Abstract This book combines three influential and much-quoted books: Savannah Syncopators; Blacks, Whites and Blues and Recording the Blues. Updated with additional new essays, the book discusses the crucial early development of the blues as a music of Blacks in the United States, explaining some of the most significant factors that shaped this music. Together, these three texts emphasize the significance of the African heritage, the mutuality of much white and black music and the role of recording in consolidating the blues, thus demonstrating the importance of these formative elements in its complex but combined socio-musical history. Redressing some of the misconceptions that persist in writing on African-American music, this book will be essential reading for all enthusiasts of blues, jazz and country music and will be important for students of African-American studies and music, popular music and popular culture.
General noteFirst published as three volumes by Studio Vista 1970 and in the USA by Stein and Day Publishers (November Books) 1970.
Bibliography noteIncludes bibliographical references, discographies, and indexes.
LCCN 00028917
ISBN0521782597
ISBN0521787777 (pbk.)

Available Items

Library Location Call Number Status Item Actions
Music Music Stacks ML3521 .Y66 2001 ✔ Available Place Hold