Trauma and its representations : the social life of mimesis in post-revolutionary France / Deborah Jenson.
| Author/creator | Jenson, Deborah |
| Format | Book |
| Publication Info | Baltimore, Md. : Johns Hopkins University Press, 2001. |
| Description | x, 294 pages ; 24 cm |
| Subjects |
| Contents | Introduction : on social speculation -- Iconoclasm : setting wounds in stone at the Musée des monuments français, 1795-1816 -- Transpositionality : the political gets personal in Constant's Cécile -- Plagiarism : Duras, Desbordes-Valmore, and the scandalous potency of the woman author -- Harmony : Lamartine's social pain -- Analogy : slavery to duplicity in Sand's Indiana -- Fetishism : thinking with things in Flaubert's "Un coeur simple" -- Epilogue : French romanticism: posttraumatic Utopia/post-Utopian trauma. |
| Abstract | The author argues that mimesis not only denotes the representation of reality, but is also a crucial concept for understanding the production of social meaning within specific historical concepts. |
| Bibliography note | Includes bibliographical references (p. 259-279) and index. |
| LCCN | 00012618 |
| ISBN | 0801867231 (hardcover : alk. paper) |
Availability
| Library | Location | Call Number | Status | Item Actions |
|---|---|---|---|---|
| Joyner | General Stacks | PQ283 .J46 2001 | ✔ Available | Place Hold |