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003 OCoLC;

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008 010524s2001 enka b 001 0 eng ;

010 a| 2001036068;

019 a| 47356580a| 48194727;

020 a| 0192631888 (Pbk.);

020 a| 0192631896 (Hbk.);

035 a| (Sirsi) o47081313;

035 a| (OCoLC)47081313;

042 a| pcc;

049 a| EREM;

050 00 a| ML3830b| .M965 2001;

082 00 a| 781/.112| 21;

245 00 a| Music and emotion :b| theory and research /c| edited by Patrik N. Juslin and John A. Sloboda.;

260 a| Oxford ;a| New York :b| Oxford University Press,c| 2001.;

300 a| viii, 487 pages :b| illustrations ;c| 25 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Series in affective science;

504 a| Includes bibliographical references and indexes.;

520 a| That music has an incredible power to move us emotionally is without question. Whether performing music, listening to music, or creating music, this bond with our emotions is always there. The nature of this relationship is clearly complex however, and emotional aspects of music have received surprisingly little attention in the 45 years since the publication of Leonard Meyer's classic work 'Emotion and meaning in music.' During that time, both 'music psychology' and 'emotion' have developed as vibrant areas of research, and the time is fitting therefore to try and bring together this multidisciplinary interest and take stock of what we now know about this powerful relationship. A new volume in the Series in Affective Science, this book brings together leading researchers interested in both these topics to present the first integrative review of this subject. The first section reflects the various interdisciplinary perspectives, taking on board views from philosophy, psychology, musicology, biology, anthropology, and sociology. The second section addresses the role of our emotions in the composition of music, the ways that emotions can be communicated via musical structures, the use of music to express emotions within the cinema. The third section looks at the emotions of the performer--how do they communicate emotion, how does their emotional state affect their own performance. The final section looks at the ways in which our emotions are guided and influenced while listening to music, whether actively or passively.;

650 0 a| Musicx| Psychological aspects.=| ^A106790;

650 0 a| Emotions in music.=| ^A759130;

650 0 a| Emotions.=| ^A1062;

700 1 a| Juslin, Patrik N.,e| editor.=| ^A505297;

700 1 a| Sloboda, John A.,e| editor.=| ^A192110;

830 0 a| Series in affective science.=| ^A358644;

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999 a| ML3830 .M965 2001w| LCc| 1i| 30372011349237d| 4/29/2026e| 2/16/2026f| 4/25/2024g| 3l| MSTm| JMUSICn| 25p| $33.21q| 2r| Ys| Yt| MGESBKu| 1/10/2002x| BOOKz| MCIRCo| .STAFF. enhanced 1/18/24 -jjab;

Music and emotion : theory and research / edited by Patrik N. Juslin and John A. Sloboda.

Other author	Juslin, Patrik N., editor.
Other author	Sloboda, John A., editor.
Format	Book
Publication Info	Oxford ; New York : Oxford University Press, 2001.
Description	viii, 487 pages : illustrations ; 25 cm.
Subjects	Music--Psychological aspects. Emotions in music. Emotions.

Series	Series in affective science Series in affective science. ^A358644
Contents	Introduction. Music and emotion: introduction / Patrik N. Juslin and John A. Sloboda -- Multidisciplinary perspectives. Philosophical perspectives on music's expressiveness / Stephen Davies -- Musicological approaches to emotion / Nicholas Cook and Nicola Dibben -- Psychological perspectives on music and emotion / John A. Sloboda and Patrik N. Juslin -- Listen to the brain: a biological perspective on musical emotions / Isabelle Peretz -- Anthropological perspectives on music and emotion / Judith Becker -- Aesthetic agency and musical practice: new directions in the sociology of music and emotion / Tia DeNora -- Music and emotion: perspectives from music therapy / Leslie Bunt and Mercédès Pavlicevic -- The composer. Emotion and composition in classical music: historiometric perspectives / Dean Keith Simonton -- The influence of musical structure on emotional expression / Alf Gabrielsson and Erik Lindström -- Music as a source of emotion in film / Annabel J. Cohen -- The performer. The subjective world of the performer / Roland S. Persson -- Negative emotions in music making: the problem of performance anxiety / Andrew Steptoe -- Communicating emotion in music performance: a review and a theoretical framework / Patrik N. Juslin -- The listener. Music and emotions: distinctions and uncertainties / Leonard B. Meyer -- Emotional effects of music: production rules / Klaus R. Scherer and Marcel R. Zentner -- Continuous measurement of self-report emotional response to music / Emery Schubert -- Emotions in everyday listening to music / John A. Sloboda and Susan A. O'Neill -- Emotions in strong experience with music / Alf Gabrielsson -- Postlude. Music and emotion: commentary / John A. Sloboda and Patrik N. Juslin.
Abstract	That music has an incredible power to move us emotionally is without question. Whether performing music, listening to music, or creating music, this bond with our emotions is always there. The nature of this relationship is clearly complex however, and emotional aspects of music have received surprisingly little attention in the 45 years since the publication of Leonard Meyer's classic work 'Emotion and meaning in music.' During that time, both 'music psychology' and 'emotion' have developed as vibrant areas of research, and the time is fitting therefore to try and bring together this multidisciplinary interest and take stock of what we now know about this powerful relationship. A new volume in the Series in Affective Science, this book brings together leading researchers interested in both these topics to present the first integrative review of this subject. The first section reflects the various interdisciplinary perspectives, taking on board views from philosophy, psychology, musicology, biology, anthropology, and sociology. The second section addresses the role of our emotions in the composition of music, the ways that emotions can be communicated via musical structures, the use of music to express emotions within the cinema. The third section looks at the emotions of the performer--how do they communicate emotion, how does their emotional state affect their own performance. The final section looks at the ways in which our emotions are guided and influenced while listening to music, whether actively or passively.
Bibliography note	Includes bibliographical references and indexes.
LCCN	2001036068
ISBN	0192631888 (Pbk.)
ISBN	0192631896 (Hbk.)

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Music	Music Stacks	ML3830 .M965 2001	✔ Available	Place Hold

Music and emotion : theory and research / edited by Patrik N. Juslin and John A. Sloboda.

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