Tools

LEADER 03342cam a22004934a 4500

001 ocm44313332;

003 OCoLC;

005 20141212161116.0;

008 00060 | ;

010 a| 00040998;

020 a| 0253213975 (pa : alk. paper);

020 z| 0263213976;

035 a| (Sirsi) o44313332;

035 a| (OCoLC)44313332;

040 a| DLCc| DLCd| C#Pd| UtOrBLW;

042 a| pcc;

049 a| EREM;

050 00 a| ML457b| .M8313 2001;

082 00 a| 784.1932| 21;

100 1 a| Muffat, Georg,d| 1653-1704.=| ^A50599;

240 10 a| Essays.k| Selections.l| English=| ^A50599;

245 10 a| Georg Muffat on performance practice :b| the texts from Florilegium primum, Florilegium secundum, and Auserlesene Instrumentalmusik : a new translation with commentary /c| edited and translated by David K. Wilson from a collation prepared by Ingeborg Harer, Yvonne Luisi-Weichsel, Ernest Hoetzl, and Thomas Binkley.;

300 a| xvi, 123 pages :b| music ;c| 26 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Publications of the Early Music Institute;

504 a| Includes bibliographical references (pages 121-122).;

505 0 a| Introduction -- Biographical sketch of Georg Muffat -- Translations -- Texts from Florilegium Primum, 1695 -- Texts from Florilegium Secundum, 1698 -- Texts from Auserlesene Instrumentalmusik, 1701 -- Commentary -- Muffat's intentions -- Instruments -- Pitch and temperament -- Techniques -- On German performance practice -- Performance settings.;

520 a| Georg Muffat was one of the most cosmopolitan composers of the seventeenth century. Born of Scottish and French ancestry in Alsace, he studied in France and Germany, traveled to Vienna, Prague, and Augsburg, and worked in Salzburg, Passau, and Rome. Muffat believed that the combination of elements from various national styles could produce music more profound and delightful than music from a single national style. This book offers a unique presentation of the composer's writings about music. This new translations from the German presents Muffat's texts along with variants from the composer's French, Italian, and Latin versions. This highly readable supplementary materials make this a useful work for theorists, historians, and performers.;

650 0 a| Performance practice (Music)z| Germanyy| 17th century.=| ^A252120;

700 1 a| Wilson, David,d| 1958-e| editor,e| translator.=| ^A505264;

700 12 a| Muffat, Georg,d| 1653-1704.t| Florilegium,n| no. 1.k| Selections.l| English.=| ^A1217542;

700 12 a| Muffat, Georg,d| 1653-1704.t| Florilegium,n| no. 2.k| Selections.l| English.=| ^A861816;

700 12 a| Muffat, Georg,d| 1653-1704.t| Exquisitioris harmoniae instrumentalis gravi-jucundae.k| Selections.l| English.=| ^A663259;

830 0 a| Publications of the Early Music Institute.=| ^A269942;

994 a| X0b| ERE;

910 a| PromptCat;

980 a| 2001-12-12b| 29.95d| 1.85e| 28.46f| 941186;

596 a| 3;

998 a| 864432;

999 a| ML457 .M8313 2001w| LCc| 1i| 30372011349245d| 2/27/2023e| 4/5/2021f| 4/4/2024g| 4l| MSTm| JMUSICn| 50p| $28.46q| 6r| Ys| Yt| MGESBKu| 1/10/2002x| BOOKz| MCIRCo| .STAFF. enhanced 11/1/22 -jjab;

Georg Muffat on performance practice : the texts from Florilegium primum, Florilegium secundum, and Auserlesene Instrumentalmusik : a new translation with commentary / edited and translated by David K. Wilson from a collation prepared by Ingeborg Harer, Yvonne Luisi-Weichsel, Ernest Hoetzl, and Thomas Binkley.

Author/creator	Muffat, Georg
Format	Book
Publication Info	Bloomington : Indiana University Press, ©2001.
Description	xvi, 123 pages : music ; 26 cm.
Subjects	Performance practice (Music)--Germany. --History. --17th century. Performance practice (Music)--Germany. --17th century.

Other author/creator	Wilson, David, 1958- editor, translator.
Included Work	Muffat, Georg, 1653-1704. Florilegium, no. 1. Selections. English.
Included Work	Muffat, Georg, 1653-1704. Florilegium, no. 2. Selections. English.
Included Work	Muffat, Georg, 1653-1704. Exquisitioris harmoniae instrumentalis gravi-jucundae. Selections. English.
Uniform title	Essays. Selections. English
Series	Publications of the Early Music Institute Publications of the Early Music Institute. ^A269942
Contents	Introduction -- Biographical sketch of Georg Muffat -- Translations -- Texts from Florilegium Primum, 1695 -- Texts from Florilegium Secundum, 1698 -- Texts from Auserlesene Instrumentalmusik, 1701 -- Commentary -- Muffat's intentions -- Instruments -- Pitch and temperament -- Techniques -- On German performance practice -- Performance settings.
Abstract	Georg Muffat was one of the most cosmopolitan composers of the seventeenth century. Born of Scottish and French ancestry in Alsace, he studied in France and Germany, traveled to Vienna, Prague, and Augsburg, and worked in Salzburg, Passau, and Rome. Muffat believed that the combination of elements from various national styles could produce music more profound and delightful than music from a single national style. This book offers a unique presentation of the composer's writings about music. This new translations from the German presents Muffat's texts along with variants from the composer's French, Italian, and Latin versions. This highly readable supplementary materials make this a useful work for theorists, historians, and performers.
Bibliography note	Includes bibliographical references (pages 121-122).
LCCN	00040998
ISBN	0253213975 (pa : alk. paper)

Availability

Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML457 .M8313 2001	✔ Available	Place Hold

Click here for more information about this title

Availability