| Contents |
Introduction: Ovid and the Renaissance body / Goran V. Stanivukovic -- Pt. I: Identification and Desire. Ovidian subjectivities in early modern lyric: identification and desire in Petrarch and Louise Labé / Carla Freccero -- Imagining heterosexuality in the Epyllia / Jim Ellis -- Inversion, metamophosis, and sexual difference: female same-sex desire in Ovid and Lyly / Mark Dooley -- A garden of her own: Marvell's nymph and the order of nature / Morgan Holmes -- 'Male deformities': Narcissus and the reformation of courtly manners in Cynthoa's Revels / Mario Digangi -- Arms and the women: the Ovidian eroticism of Harington's Ariosto / Ian Frederick Moulton -- Part II: Speech, Voice, and Embodiment. Localizing disembodied voice in Sandy's Englished 'Narcissus and Echo' / Gina Bloom -- The Ovidian hermaphrodite: moralizations by Peend and Spenser / Michael Pincombe -- Ovid and the dilemma of the cuckold in English Renaissance drama / Bruce Boehrer -- Part III: Textualization. Lyrical wax in Ovid, Marlowe, and Donne / Raphael Lyne -- Engendering metamorphoses: Milton and the Ovidian corpus / Elizabeth Sauer -- The girl he left behind: Ovidian imitatio and the body of Echo in Spenser's 'Epithalamion' / Judith Deitch -- 'If that which is lost be not found': monumental bodies, spectacular bodies in The Winter's Tale / Lori Humphre Newcomb -- Afterword / Valerie Traub. |
