Contents |
Shakespace and transversal power / Donald Hedrick and Bryan Reynolds -- Performance and authority in Hamlet (1603) / Robert Weimann -- New York's African Theatre: Shakespeare reinterpreted / William Over -- Vaulting ambitions and killing machines: Shakespeare, Jarry, Ionesco and the Senecan absurd / Curtis Perry -- "What is the city but the people?": transversal performance and radical politics in Shakespeare's Coriolanus and Brecht's Coriolan -- Sweet, savage Shakespeare / Laurie Osborne -- No holes Bard: homonormativity and the gay and lesbian romance with Romeo and Juliet / Richard Burt -- "Where's the master?": the technologies of the stage, book, and screen in The Tempest and Prospero's books / James Andreas -- Additional dialogue: William Shakespeare, queer allegory, and My own private Idaho / Matt Bergbusch -- Rehearsing the Weird Sisters: the word as fetish in Macbeth / Leslie Katz -- Shakespeare's enduring immorality and the performative turn: toward a transversal pedagogy -- Afterword: Shakespace on Marloan / Julia Reinhard Lupton. |