The musical work : reality or invention? / edited by Michael Talbot.
| Author/creator | Liverpool Music Symposium |
| Other author | Talbot, Michael, 1943- |
| Format | Book |
| Publication Info | Liverpool : Liverpool University Press, 2000. |
| Description | viii, 260 pages : music ; 24 cm. |
| Subjects |
| Series | Liverpool music symposium ; 1 Liverpool music symposium ; 1. UNAUTHORIZED |
| Contents | Some thoughts on the work in popular music / David Horn -- Intertextuality and hypertextuality in recorded popular music / Serge Lacasse -- Work-in-(g) practice : configuration of the popular music intertext / Richard Middleton -- Works and recordings : the impact of commercialism and digitalisation / Catherine Moore -- The practice of early-nineteenth-century pianism / Jim Samson -- Looking back at ourselves : the problem with the musical work-concept / Reinhard Strohm -- 'The Work' : an evaluative charge / Philip Tagg -- The work-concept and composer-centredness / Michael Talbot --The musical artwork and its materials in the music and aesthetics of Busoni / John Williamson -- Re-composing Schubert / James Wishart -- 'On the problems of dating' or 'Looking backward and forward with Strohm' / Lydia Goehr. |
| General note | Proceedings of the symposium held at the Institute of Popular Music, University of Liverpool on 21 September 1998. |
| Bibliography note | Includes bibliographical references and indexes. |
| ISBN | 0853238251 |
| ISBN | 0853238359 (pbk) |
Availability
| Library | Location | Call Number | Status | Item Actions |
|---|---|---|---|---|
| Music | Closed Stacks - Ask at Circulation Desk | ML3800 .L69 2000 | ✔ Available | Place Hold |