Wagner's "Ring" and its symbols : the music and the myth / Robert Donington.

Author/creator Donington, Robert
Format Book
Publication InfoNew York : St. Martin's Press, [1974]
Description342 pages ; 22 cm
Subjects

Contents I. Myth and music. Art and reality ; Images of Music -- II. Prelude to 'Rhinegold' [Rheingold]. The beginning of the world as a symbol for our own beginning ; The state of nature and the fall from innocence ; Accepting the opposites or escaping them in fantasy ; The return to nature in rebirth symbolism -- III. 'Rhinegold', Scene I. Alberich and Rhinemaidens ; The Rhinemaidens and their gold ; Money seen as the root of all evil ; The fire under the water ; Accidentally on purpose? ; The renunciation of love ; A Promethean theft? -- IV. 'Rhinegold', Scene 2. Wotan as an image of the self ; Wotan as a sky-god and a saviour god ; Wotan as inner consciousness ; Wotan as ego consciousness ; Wotan as father-image ; Fricka as part of Woatan's inner femininity ; Other representatives of the eternal feminine -- V. 'Rhinegold', Scene 3. Paradox of the situation brought out in the music ; The underworld of Nibeheim ; The ring as a symbol for the self ; Tarnhelm as a symbol of unconscious fantasy ; The tricking of Alberich -- VI. Rhinegold, Scene 4. Wotan acts the ruffian ; Alberich curses for the second time ; Alberich's curse: sheer disaster or blessing in disguise? ; Erda prophesies to Wotan and Freia is ransomed ; The curse gets to work: Fafner murders Fasolt ; Valhalla the impregnable fortress at last -- VII. 'The Valkyrie', Act One. Incest physical and mythological ; Incest a danger in the flesh and in fantasy ; Transgression or heroic accomplishment? ; Mythological incest as a ritual marriage ; Siegmund and Sieglinde in their hour of destiny ; Sieglinde and Hunding hear Siegmund begin his story ; Siegmund tells us of his unquiet and lonely life ; Siegmund's story shows Hunding to be his enemy ; Why Wotan is entagled in his bargains ; The sword in the tree ; The sword itself ; The long winter ends with the coming of love -- VIII. 'The Valkyrie', Act II. Brynhilde [Brunnhilde] as Valkyrie and more than Valkyrie ; Wotan and Fricka ; The sacrificial significance of Siegmund's death ; Wotan confides in Brynhilde ; The end of Siegmund ; The consequences of Siegmund's death -- IX. 'The Valkyrie', Act III. The Valkyrie sisterhood and the rescue of Sieglinde ; Wotan's estrangement from Brynhilde ; The partial reconciliation of Wotan and Brynhilde ; The parting of Wotan and Brynhilde -- X. 'Siegfried', Act I -- Mime and Siegfried ; Mime and Wotan ; The forging of Nothung -- XI. 'Siegfried', Act II. Alberich and Wotan ; Siegfried and the forest murmurs ; Siegfried and Fafner ; Alberich and Mime ; Siegfried's foster-father ; The birds guide Siegfried towards Brynhilde -- XII. 'Siegfried', Act III. Wotan and Erda meet for the last time ; Wotan and Siegfried ; Siegfried and Brynhilde ; To thine own self be true -- XIII. 'Gotterdammerung', Act I. Life's two faces: the light and the dark ; The three aged Norns ; The journey to the Rhine ; The Gibichungs ; Siegfried and Gutrune ; Siegfried and the magic potion ; The plot against Brynhilde -- XIV. 'Gotterdammerung', Act II. The personal shadow and the shadow archetype ; The quarrel between Brynhilde and Siegfried ; The alliance of Brynhilde and Siegfried ; The terrible mother as invisible partner in the plot ; The plot against Siegfried -- XV. 'Gotterdammerung', Act III, Part 1. Siegfried accepts his destiny ; Siegfried's narrative and self-discovery ; Siegfried's death -- XVI, 'Gotterdammerung', Act III, Part 2. The dark night of the soul ; The eternal masculine and the eternal feminine ; Brynhilde's hour ; The return to innocence in a maturer state ; The voluntary sacrifice of outworn values ; The baptism by fire and water ; The sacred marriage as the union of opposites ; Redemption as transformation in the psyche -- Appendix of music examples -- Chart of selected leading motives -- Bibliography -- Numerical index of motives in the 'Ring'.
Abstract This book is about the poetical and musical symbols in Wagner?s Ring, and what Wagner brought, with all the suggestive artistry at his disposal, into symbolical and artistic consciousness.
General note"Appendix of music examples": pages 275-306.
Bibliography noteBibliography: pages 316-328.
LCCN 74075421
Stock number$4.95

Availability

Library Location Call Number Status Item Actions
Music Closed Stacks - Ask at Circulation Desk ML410.W15 D6 1974B ✔ Available Place Hold