Image and imagination in Mongolian Buddhism : art, texts, and rituals / Vesna A. Wallace and Uranchimeg Tsultemin.
| Author/creator | Wallace, Vesna A. author. |
| Other author | Uranchimeg Tsultemin, author. |
| Format | Book |
| Publication | New York : Columbia University Press, [2026] |
| Description | viii, 348 pages : color illustrations ; 25 cm |
| Subjects |
| Contents | Introduction / Vesna A. Wallace and Uranchimeg Tsultemin -- Part I: Memory, imagination, and imagery -- Introduction to Part I / Vesna A. Wallace -- Aspiring for Śambhala: Desire, imagination, and linguistic imagery / Vesna A. Wallace -- Imagination in the ritual of the transference of consciousness to Śambhala and in other related practices / Vesna A. Wallace -- Imagination in repelling the barbarian troops through ritual / Vesna A. Wallace -- Part II: The Jebtsundampa's guru yoga: Building imagined community in the present, past, and future -- Introduction to part II / Uranchimeg Tsultemin -- The supreme teacher / Uranchimeg Tsultemin -- The historical consciousness of the community / Uranchimeg Tsultemin -- Projection into the future: Visual supplication for the arrival of the next teacher / Uranchimeg Tsultemin -- Conclusion / Vesna A. Wallace and Uranchimeg Tsultemin. |
| Abstract | "Few of the extant Mongolian Buddhist literary and artistic sources dating from the late seventeenth to the early twentieth centuries have been studied. Art and Imagination sheds light on this unique tradition and on the Buddhist past of Inner Asia in general. It explores the relationships among texts, artistic images, structured imagination practices, and visual aesthetics, examining the roles of meditation and ritual in visualizing images and producing the artifacts of visual culture. Contemplative practices of imagination and visualization in ritual contexts are invariably prescriptive, whereas the depiction of Buddhist deities in works of art allows for creative freedom, and Wallace and Tsultemin investigate how the mental imagery that is invoked in contemplative and ritual practices, which requires the activation of memory and at times verbal and physical participation, are manipulated in visual art. Using the methods of religious studies and art history to analyze texts, visualization and imaginative practices, and artworks, they demonstrate that the adaptation of Tibetan Buddhism and its imagery to the Mongolian context resulted in unique textual, ritual, and artistic innovations that emerged in different social and political conditions, thus contributing to our understanding of the effects of cultural encounters through different geographical areas and historical periods"-- Provided by publisher. |
| Bibliography note | Includes bibliographical references and index. |
| Issued in other form | Online version http://id.loc.gov/entities/relationships/onlineversion Wallace, Vesna A. Art and imagination New York : Columbia University Press, [2026] 9780231551007 |
| LCCN | 2025029377 |
| ISBN | 9780231194792 |
| ISBN | 9780231194785 hardback |
| ISBN | 0231194781 |
| ISBN | 023119479X |
| ISBN | ebook |
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