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LEADER 03098cam a2200493 i 4500

001 on1544930086;

003 OCoLC;

005 20260212143805.8;

008 251011t20252025be ab b 001 0 eng d;

020 a| 9782503615226;

020 a| 2503615228q| (hardcover);

020 z| 9782503615233q| (ebook);

020 z| 2503615236q| (ebook);

035 a| (OCoLC)1544930086;

043 a| e-ci---;

050 4 a| DR1645.Z3b| B67 2025;

100 1 a| Borić, Laris,d| 1969-e| author.4| aut;

245 10 a| Stones of Zadar :b| the capital of Venetian Dalmatia /c| Laris Borić.;

246 30 a| Capital of Venetian Dalmatia;

264 1 a| Turnhout, Belgium :b| Brepols,c| [2025];

300 a| 207 pages :b| illustrations (chiefly color), maps ;c| 29 cm.;

336 a| textb| txt2| rdacontent;

336 a| still imageb| sti2| rdacontent;

337 a| unmediatedb| n2| rdamedia;

338 a| volumeb| nc2| rdacarrier;

490 0 a| Archipelagus : architectural culture of the early modern Adriatic;

504 a| Includes bibliographical references (pages 189-196) and indexes.;

520 3 a| "This book explores the transformation of Zadar's architectural and visual culture at the dawn of the early modern era. Once a powerful medieval commune, Zadar was absorbed into the Venetian Republic just as Ottoman forces pressed through the Dalmatian hinterland. Caught between two worlds and facing economic decline, the city nonetheless remained a vibrant cultural hub. Through the networks of builders, sculptors, and painters active across Dalmatia, Venice, Lombardy, and the Marche, Zadar's elites embraced humanist ideals and reshaped their artistic practices. The result was a distinctive and sometimes unconventional reinterpretation of classical forms, visible above all in sculpture and architectural decoration -- the 'Renaissance stones' of Zadar. The study connects these fragmentary remains into a coherent whole, situating them within the broader Venetian sphere while reading them in their immediate social and cultural contexts. It offers a new understanding of how Renaissance art developed on the Adriatic frontier."--c| Provided by publisher.;

651 0 a| Zadar (Croatia)x| Historyy| 15th century.;

651 0 a| Zadar (Croatia)x| Historyy| 16th century.;

651 0 a| Zadar (Croatia)x| Historyy| 17th century.;

650 0 a| Art and architecturez| Croatiax| Historyy| 15th century.;

650 0 a| Art and architecturez| Croatiax| Historyy| 16th century.;

650 0 a| Art and architecturez| Croatiax| Historyy| 17th century.;

650 0 a| Art, Renaissancez| Croatia.;

949 a| Order on Demandw| ASISh| JOYNER219;

960 o| 1s| 63.00u| JHISz| USD;

961 f| DMDm| 138099;

596 a| 1;

998 a| 6796068;

999 a| ORDER ON DEMANDw| ASISc| 1i| 6796068-1001l| JYBPDDAPm| JOYNERr| Ys| Yt| JYBPDDAPUu| 8/6/2026;

Stones of Zadar : the capital of Venetian Dalmatia / Laris Borić.

Author/creator	Borić, Laris, 1969- author.
Format	Book
Publication	Turnhout, Belgium : Brepols, [2025]
Copyright Date	©2025
Description	207 pages : illustrations (chiefly color), maps ; 29 cm.
Subjects	Art and architecture--Croatia. --History. --15th century. Art and architecture--Croatia. --History. --16th century. Art and architecture--Croatia. --History. --17th century. Art, Renaissance--Croatia. Zadar (Croatia)--History. --15th century. Zadar (Croatia)--History. --16th century. Zadar (Croatia)--History. --17th century.

Portion of title	Capital of Venetian Dalmatia
Series	Archipelagus : architectural culture of the early modern Adriatic
Contents	Foreword / Jasenka Gudelj -- Introduction: In between and on the Edge? -- Cultural Practices and Forms of Patronage -- Trajectories of Style: Production and Protagonists -- Epilogue -- Appendices.
Summary	"This book explores the transformation of Zadar's architectural and visual culture at the dawn of the early modern era. Once a powerful medieval commune, Zadar was absorbed into the Venetian Republic just as Ottoman forces pressed through the Dalmatian hinterland. Caught between two worlds and facing economic decline, the city nonetheless remained a vibrant cultural hub. Through the networks of builders, sculptors, and painters active across Dalmatia, Venice, Lombardy, and the Marche, Zadar's elites embraced humanist ideals and reshaped their artistic practices. The result was a distinctive and sometimes unconventional reinterpretation of classical forms, visible above all in sculpture and architectural decoration -- the 'Renaissance stones' of Zadar. The study connects these fragmentary remains into a coherent whole, situating them within the broader Venetian sphere while reading them in their immediate social and cultural contexts. It offers a new understanding of how Renaissance art developed on the Adriatic frontier."-- Provided by publisher.
Bibliography note	Includes bibliographical references (pages 189-196) and indexes.
ISBN	9782503615226
ISBN	2503615228 (hardcover)
ISBN	(ebook)
ISBN	(ebook)

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