Tools

LEADER 04404nam a2200529 i 4500

001 ssj0001934856;

003 WaSeSS;

005 20260712090213.0;

006 m d ;

007 cr n ;

008 161014s2016 enka sb 001 0 eng d;

010 a| 2016956570;

015 a| GBB6B64762| bnb;

020 a| 9781137478719 (hbk. : acid-free paper);

020 a| 1137478713;

020 z| 9781137478726 (eBook);

035 a| (WaSeSS)ssj0001934856;

042 a| lccopycat;

049 a| EREEa| NEHH;

050 00 a| PN1650.D4b| T85 2016;

082 04 a| 792.012| 23;

100 1 a| Twitchin, Mischa.=| ^A1349950;

245 14 a| The theatre of deathh| [electronic resource] :b| the uncanny in mimesis : Tadeusz Kantor, Aby Warburg, and an iconology of the actor /c| Mischa Twitchin.;

260 a| London :b| Palgrave Macmillan,c| [2016];

300 a| xiii, 336 pages :b| illustrations (black and white) ;c| 21 cm.;

490 1 a| Performance philosophy;

504 a| Includes bibliographical references (pages 305-327) and index.;

505 00 a| Machine generated contents note:t| Part I --g| 1.t| Thinking of the Dead Through a Concept of Theatre (The Dead Class) --g| 1.t| Analogy and Aporia --g| 2.t| Metaphor --g| 3.t| Seance --g| 4.t| Shock --g| 5.t| Major and Minor --g| 6.t| Art and Truth --g| 7.t| Reality and Autonomy --g| 8.t| Pathos --g| 9.t| Tragedy --g| 10.t| Elimination --t| Part II --g| 2.t| Precedents (Craig and Artaud, Maeterlinck and Witkiewicz) --g| 3.t| Survivals and the Uncanny --g| 4.t| Superstition and an Iconology --t| Part III --g| 5.t| What Do We See in Theatre: In Theory? --g| 1.t| "To Establish that Theatre Thinks..." (Badiou): Thought and Event --g| 2.t| "Through the Medium of its Concept" (Adorno): Theatre and Aesthetics --g| 3.t| "Often What a Word Expresses..." (Heidegger): Theatre and Theory --g| 6.t| A Question of Appearance: Enter the Actor --g| 1.t| In the Mirror of the Uncanny (Freud and Vernant) --g| 2.t| "As if For the First Time..." (Kantor) --g| 3.t| "A Sign Charged With Signs..." (Genet) --g| 4.t| In the Image of the Photograph (Barthes, Heidegger, and Nancy) --t| Part IV --g| 7.t| Tadeusz Kantor: An Avant-Garde of Death --g| 1.t| What Is Still to Be Remembered (Imagined or Conceived) of the Cricot 2: Between Manifestos and Objects, Actors and Photographs? --g| 2.t| How are the Conditions of Production of the Cricot 2 Remembered Through Exhibitions by the Cricoteka? --g| 3.t| What Returns in the Historical Impasse Between Formalism and Naturalism? --g| 4.t| "Once Again I Am on Stage..." How Is Kantor's Theatre of Death Informed by the Thought of Aesthetic Demarcation (as Distinct from Participation)? --g| 5.t| How Might the Past of Kantor's Theatre (with the Example of the Cricoteka as a "Living Archive") Resist the Claims of What Is Called Post-Modem? --g| 6.t| How Do Claims for the Autonomy of Art Resist Time for its Historical Specificity -- Whether as Avant-Garde or Anachronistic? --g| 7.t| In Place of a Conclusion: How Might "The Return of Odysseus" Offer mi Image of and for the Theatre of Death? In the Pathos of "Return", How Might Kantor's Own Appearance "on Stage" Offer Testimony to the Short Twentieth Century?.;

506 a| Available only to authorized users.;

538 a| Mode of access: World Wide Web;

650 0 a| Death in the theater.=| ^A1317962;

650 0 a| Theaterx| Philosophy.=| ^A268195;

650 7 a| Death in the theater.2| fast0| (OCoLC)fst01743893;

650 7 a| Theaterx| Philosophy.2| fast0| (OCoLC)fst01149273;

655 0 a| Electronic books.=| ^A491897;

830 0 a| Performance philosophy.=| ^A1258540;

856 40 z| Full text available from eBooks on EBSCOhostu| https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1257498&scope=site&custid=s5822723&authtype=ip,shib;

947 a| (OCoLC)ocn962364214;

949 a| CLICK ON WEB ADDRESSw| ASISh| JOYNER188;

949 a| CLICK ON WEB ADDRESSw| ASISh| HSL77;

949 a| CLICK ON WEB ADDRESSw| ASISh| JMUSIC60;

596 a| 1 3 4;

998 a| 6788794;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6788794-1001l| JNETm| JOYNERr| Ys| Yt| JNESSBKu| 7/21/2026x| EBOOKz| JERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6788794-2001l| HSLELECm| HSLr| Ys| Yt| HEBKu| 7/21/2026x| EBOOKz| HERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6788794-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 7/21/2026x| EBOOKz| JERESOURCE;

The theatre of death the uncanny in mimesis : Tadeusz Kantor, Aby Warburg, and an iconology of the actor / Mischa Twitchin.

Author/creator	Twitchin, Mischa
Format	Electronic
Publication Info	London : Palgrave Macmillan, [2016]
Description	xiii, 336 pages : illustrations (black and white) ; 21 cm.
Supplemental Content	Full text available from eBooks on EBSCOhost
Subjects	Death in the theater. Theater--Philosophy.

Series	Performance philosophy Performance philosophy. ^A1258540
Contents	Machine generated contents note: Part I -- 1. Thinking of the Dead Through a Concept of Theatre (The Dead Class) -- 1. Analogy and Aporia -- 2. Metaphor -- 3. Seance -- 4. Shock -- 5. Major and Minor -- 6. Art and Truth -- 7. Reality and Autonomy -- 8. Pathos -- 9. Tragedy -- 10. Elimination -- Part II -- 2. Precedents (Craig and Artaud, Maeterlinck and Witkiewicz) -- 3. Survivals and the Uncanny -- 4. Superstition and an Iconology -- Part III -- 5. What Do We See in Theatre: In Theory? -- 1. "To Establish that Theatre Thinks..." (Badiou): Thought and Event -- 2. "Through the Medium of its Concept" (Adorno): Theatre and Aesthetics -- 3. "Often What a Word Expresses..." (Heidegger): Theatre and Theory -- 6. A Question of Appearance: Enter the Actor -- 1. In the Mirror of the Uncanny (Freud and Vernant) -- 2. "As if For the First Time..." (Kantor) -- 3. "A Sign Charged With Signs..." (Genet) -- 4. In the Image of the Photograph (Barthes, Heidegger, and Nancy) -- Part IV -- 7. Tadeusz Kantor: An Avant-Garde of Death -- 1. What Is Still to Be Remembered (Imagined or Conceived) of the Cricot 2: Between Manifestos and Objects, Actors and Photographs? -- 2. How are the Conditions of Production of the Cricot 2 Remembered Through Exhibitions by the Cricoteka? -- 3. What Returns in the Historical Impasse Between Formalism and Naturalism? -- 4. "Once Again I Am on Stage..." How Is Kantor's Theatre of Death Informed by the Thought of Aesthetic Demarcation (as Distinct from Participation)? -- 5. How Might the Past of Kantor's Theatre (with the Example of the Cricoteka as a "Living Archive") Resist the Claims of What Is Called Post-Modem? -- 6. How Do Claims for the Autonomy of Art Resist Time for its Historical Specificity -- Whether as Avant-Garde or Anachronistic? -- 7. In Place of a Conclusion: How Might "The Return of Odysseus" Offer mi Image of and for the Theatre of Death? In the Pathos of "Return", How Might Kantor's Own Appearance "on Stage" Offer Testimony to the Short Twentieth Century?.
Bibliography note	Includes bibliographical references (pages 305-327) and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2016956570
ISBN	9781137478719 (hbk. : acid-free paper)
ISBN	1137478713

Availability

Library	Location	Call Number	Status	Item Actions
	Electronic Resources	Access Content Online	✔ Available

The theatre of death the uncanny in mimesis : Tadeusz Kantor, Aby Warburg, and an iconology of the actor / Mischa Twitchin.

Click here for more information about this title

Availability