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020 a| 9781137338921 (hbk.);

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245 00 a| Screenwriters and screenwritingh| [electronic resource] :b| putting practice into context /c| edited by Craig Batty, School of Media and Communication, RMIT University, Australia.;

260 a| Houndmills, Basingstoke, Hampshire ;a| New York :b| Palgrave Macmillan,c| 2014.;

300 a| xvi, 301 pages :b| illustrations ;c| 23 cm;

504 a| Includes bibliographical references and index.;

505 0 a| Introduction -- Screenwriters and their screenplays. White space: an approach to the practice of screenwriting as poetry / Elisabeth Lewis Corley and Joseph Megel -- Narrating voices in the screenplay text: how the writer can direct the reader's visualisations of the potential film / Ann Ingelstrom -- Horror screenwriting : blending theory with practice / Shaun Kimber -- Beyond the screenplay: memoir and family relations in three films by Gaylene Preston / Hester Joyce -- Costume as character arc: how emotional transformation is written into the dressed body / Craig Batty -- Screenwriting and the development process. Developing the screenplay: stepping into the unknown / Margot Nash -- "The Irish Film Board: gatekeeper or facilitator?: the experience of the Irish screenwriter / Díóg O'Connell -- First impressions: debut features by Irish screenwriters / Susan Liddy -- "Sorry blondie, I don't do backstory!" script editing: the invisible craft / Paul Wells -- Scripting the real: Mike Leigh's practice as antecedent to contemporary reality tv texts the only way is Essex and made in Chelsea / Peri Bradley -- Screenwriting and authorship. Based on a true story: negotiating collaboration, compromise and authorship in the script development process / Alec McAulay -- Sarah Phelps on writing television: adaptation, collaboration, and the screenwriter's voice / Kate Iles -- Working the writers' room: the context, the creative space and the collaborations of Danish television series Borgen / Eva Novrup Redvall -- And the screenwriter created man: male characterisation in bromance and bromedy / Helen Jacey -- Gals who make the jokes: feature film screenwriting for the satirical female voice / Marilyn Tofler -- Self-reflexive screenwriting and LGBT identity: framing and indirectly reading the self / Christopher Pullen.;

506 a| Available only to authorized users.;

538 a| Mode of access: World Wide Web;

650 0 a| Motion picture authorship.=| ^A964467;

650 0 a| Motion picture playsx| Technique.=| ^A108495;

655 0 a| Electronic books.=| ^A491897;

700 1 a| Batty, Craig.=| ^A1256066;

856 40 z| Full text available from eBooks on EBSCOhostu| https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=998237&scope=site&custid=s5822723&authtype=ip,shib;

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Screenwriters and screenwriting putting practice into context / edited by Craig Batty, School of Media and Communication, RMIT University, Australia.

Other author	Batty, Craig.
Format	Electronic
Publication Info	Houndmills, Basingstoke, Hampshire ; New York : Palgrave Macmillan, 2014.
Description	xvi, 301 pages : illustrations ; 23 cm
Supplemental Content	Full text available from eBooks on EBSCOhost
Subjects	Motion picture authorship. Motion picture plays--Technique.

Contents	Introduction -- Screenwriters and their screenplays. White space: an approach to the practice of screenwriting as poetry / Elisabeth Lewis Corley and Joseph Megel -- Narrating voices in the screenplay text: how the writer can direct the reader's visualisations of the potential film / Ann Ingelstrom -- Horror screenwriting : blending theory with practice / Shaun Kimber -- Beyond the screenplay: memoir and family relations in three films by Gaylene Preston / Hester Joyce -- Costume as character arc: how emotional transformation is written into the dressed body / Craig Batty -- Screenwriting and the development process. Developing the screenplay: stepping into the unknown / Margot Nash -- "The Irish Film Board: gatekeeper or facilitator?: the experience of the Irish screenwriter / Díóg O'Connell -- First impressions: debut features by Irish screenwriters / Susan Liddy -- "Sorry blondie, I don't do backstory!" script editing: the invisible craft / Paul Wells -- Scripting the real: Mike Leigh's practice as antecedent to contemporary reality tv texts the only way is Essex and made in Chelsea / Peri Bradley -- Screenwriting and authorship. Based on a true story: negotiating collaboration, compromise and authorship in the script development process / Alec McAulay -- Sarah Phelps on writing television: adaptation, collaboration, and the screenwriter's voice / Kate Iles -- Working the writers' room: the context, the creative space and the collaborations of Danish television series Borgen / Eva Novrup Redvall -- And the screenwriter created man: male characterisation in bromance and bromedy / Helen Jacey -- Gals who make the jokes: feature film screenwriting for the satirical female voice / Marilyn Tofler -- Self-reflexive screenwriting and LGBT identity: framing and indirectly reading the self / Christopher Pullen.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2014023569
ISBN	9781137338921 (hbk.)

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Screenwriters and screenwriting putting practice into context / edited by Craig Batty, School of Media and Communication, RMIT University, Australia.

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