Romantic voices listening to nineteenth-century music / Douglass Seaton.

Author/creator Seaton, Douglass
Format Electronic
Publication InfoAlbany : State University of New York Press, 2025.
Descriptionpages cm
Supplemental ContentFull text available from eBooks on EBSCOhost
Subjects

Contents Preface : Historical Framework -- Hearing Voices : A Termino-Methodological Prolegomenon -- Voice of the Genius : Interruption in Beethoven's "Tempest" Sonata -- Nonchronological Narrative in the Song Cycle : Schubert's Heine Songs -- Prima Donna or Composer : Opera Variations and Chopin's Op. 2 -- On-Stage and Off : Performing Berlioz's Harold in Italy -- The Voice and the Listener : Applying Mendelssohn's Aesthetics -- The Poet Speaks in the Song Cycle : Schumann's Eichendorff Liederkreis -- Feminine Voices in Instrumental Music -- Finding a Voice in the Symphony : Quotation in Schumann's Symphony in C, op. 61 -- Traveler and Pilgrim : Epigram and "Vallée d'Obermann" from Liszt's Années de pèlerinage -- "The real author of the drama" : Deconstruction in Verdi's Otello -- The Painter Sings : Historicity in Wolf's "Auf ein altes Bild" -- Representing the Narrator's Voice : MacDowell's "Keltic" Sonata -- Recognizing Romantic Voices.
Abstract "Illuminates how Romantic aesthetic principles manifest themselves through musical sound and structure"-- Provided by publisher.
Bibliography noteIncludes bibliographical references and index.
Access restrictionAvailable only to authorized users.
Technical detailsMode of access: World Wide Web
Genre/formElectronic books.
LCCN 2025014803
ISBN9798855804331 (hardcover)
ISBN(ebook)

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