Rancière and film / edited by Paul Bowman.

Other author Bowman, Paul, 1971-
Format Electronic
Publication InfoEdinburgh : Edinburgh University Press, [2013]
Descriptionvi, 214 pages ; 25 cm.
Supplemental ContentFull text available from eBooks on EBSCOhost
Subjects

SeriesCritical connections
Critical connections (Edinburgh University Press) ^A1130498
Contents Title Page -- Imprint -- Contents -- Acknowledgements -- 1 Rancière and the Disciplines: An Introduction to Rancière before Film Studies -- 2 What Does It Mean to Call Film an Art? -- 3 After the Passage of the Beast: 'False Documentary' Aspirations, Acousmatic Complications -- 4 The Spectator without Qualities -- 5 Memories of Modernism: Jacques Rancière, Chris Marker and the Image of Modernism -- 6 Aesthetic Irruptions: Politics of Perception in Alex de la Iglesia's La Comunidad -- 7 Inhuman Spectatorship -- 8 Cinemarxis: Rancière and Godard -- 9 Jacques Rancière's Animated Vertigo Or, How to be Specific about Medium -- 10 The Medium Is Not the Message: Rancière, Eschatology and the End of Cinema -- 11 Remarks by Way of a Postface -- Contributors -- Bibliography -- Index
Abstract This is the first collection of critical essays on the film work of the philosopher Jacques Rancière. Rancière rose to prominence as a radical egalitarian philosopher, political theorist and historian. Recently he has intervened into the discourses of film theory and film studies, publishing controversial and challenging works on these topics. This book offers an exciting range of responses to and assessments of his contributions to film studies and includes an afterword response to the essays by Rancière himself.
Bibliography noteIncludes bibliographical references (pages 198-211) and index.
Access restrictionAvailable only to authorized users.
Technical detailsMode of access: World Wide Web
Genre/formElectronic books.
LCCN 2013409731
ISBN9780748647361 (hardback)
ISBN0748647368 (hardback)
ISBN9780748647354 (paperback)
ISBN074864735X (paperback)

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