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010 a| 2023043249;

020 a| 9781501347214q| (hardback);

020 a| 9798765113851q| (paperback);

020 z| 9781501347221q| (ebook);

020 z| 9781501347238q| (pdf);

035 a| (WaSeSS)ssj0003016153;

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050 00 a| PN1995.9.S545b| A78 2024;

082 00 a| 791.43/61152| 23/eng/20231219;

100 1 a| Artt, Sarah.?| UNAUTHORIZED;

245 10 a| Quiet picturesh| [electronic resource] :b| women and silence in contemporary British and French cinema /c| Sarah Artt.;

260 a| New York :b| Bloomsbury Academic,c| 2024.;

300 a| ix, 173 pages :b| illustrations ;c| 24 cm;

504 a| Includes bibliographical references (pages 163-168) and index.;

505 0 a| Introduction : more than absence : silences in the cinemas of Joanna Hogg, Lynne Ramsay, Céline Sciamma, and Lucile Hadžhalilović -- Childhood, curiosity and compliance in Innocence, Evolution, and Tomboy -- Adolescence and collaborative queer gazes in Waterlilies/Naissance des pieuvres, and Girlhood/Bande des filles -- Artist-exhibitionists and silence as utopian space in Lynne Ramsay's Morvern Callar and Joanna Hogg's Exhibition -- Sinister silences and mothering in Lynne Ramsay's We need to talk about Kevin and Lucile Hadžhalilović's Evolution -- Silenced desire and anger in Joanna Hogg's Unrelated, Archipelago, and Exhibition.;

506 a| Available only to authorized users.;

520 a| "Quiet Pictures approaches the films of Joanna Hogg, Lynne Ramsay, Céline Sciamma, and Lucile Hadžhalilovic through the lens of silence. It looks at uses of silence and how this creates a space for innovative practices that establish new ways of looking, staring, and gazing. The deployment of silence allows for reciprocal gazes that counteract the typically gendered and binary ways in which women and femme-presenting people tend to be portrayed on screen. Quiet Pictures draws on the political legacy of feminist film theory to explore and conceptualise what it means to not just look back, but to share the gaze"--c| Provided by publisher.;

538 a| Mode of access: World Wide Web;

650 0 a| Silence in motion pictures.?| UNAUTHORIZED;

650 0 a| Women in motion pictures.=| ^A54881;

650 0 a| Women motion picture producers and directors.=| ^A74259;

650 0 a| Motion picturesz| Francex| History.=| ^A37182;

650 0 a| Motion picturesz| Great Britainx| History.=| ^A25089;

655 0 a| Electronic books.=| ^A491897;

856 40 z| Full text available from eBooks on EBSCOhostu| https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3810071&scope=site&custid=s5822723&authtype=ip,shib;

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Quiet pictures women and silence in contemporary British and French cinema / Sarah Artt.

Author/creator	Artt, Sarah
Format	Electronic
Publication Info	New York : Bloomsbury Academic, 2024.
Description	ix, 173 pages : illustrations ; 24 cm
Supplemental Content	Full text available from eBooks on EBSCOhost
Subjects	Silence in motion pictures. Women in motion pictures. Women motion picture producers and directors. Motion pictures--France. --History. Motion pictures--Great Britain. --History.

Contents	Introduction : more than absence : silences in the cinemas of Joanna Hogg, Lynne Ramsay, Céline Sciamma, and Lucile Hadžhalilović -- Childhood, curiosity and compliance in Innocence, Evolution, and Tomboy -- Adolescence and collaborative queer gazes in Waterlilies/Naissance des pieuvres, and Girlhood/Bande des filles -- Artist-exhibitionists and silence as utopian space in Lynne Ramsay's Morvern Callar and Joanna Hogg's Exhibition -- Sinister silences and mothering in Lynne Ramsay's We need to talk about Kevin and Lucile Hadžhalilović's Evolution -- Silenced desire and anger in Joanna Hogg's Unrelated, Archipelago, and Exhibition.
Abstract	"Quiet Pictures approaches the films of Joanna Hogg, Lynne Ramsay, Céline Sciamma, and Lucile Hadžhalilovic through the lens of silence. It looks at uses of silence and how this creates a space for innovative practices that establish new ways of looking, staring, and gazing. The deployment of silence allows for reciprocal gazes that counteract the typically gendered and binary ways in which women and femme-presenting people tend to be portrayed on screen. Quiet Pictures draws on the political legacy of feminist film theory to explore and conceptualise what it means to not just look back, but to share the gaze"-- Provided by publisher.
Bibliography note	Includes bibliographical references (pages 163-168) and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2023043249
ISBN	9781501347214 (hardback)
ISBN	9798765113851 (paperback)
ISBN	(ebook)
ISBN	(pdf)

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Quiet pictures women and silence in contemporary British and French cinema / Sarah Artt.

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