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100 1 a| Patel, Alpesh Kantilal.?| UNAUTHORIZED;

245 10 a| Productive failureh| [electronic resource] :b| writing queer transnational South Asian art histories /c| Alpesh Kantilal Patel.;

260 a| Manchester :b| Manchester University Press,c| 2017.;

300 a| xxii, 250 pages, 16 unnumbered pages of plates :b| illustrations (some color) ;c| 25 cm;

490 1 a| Rethinking art's histories;

504 a| Includes bibliographical references (pages 215-239) and index.;

505 0 a| Introduction: towards creolizing transnational South Asian art histories -- Authorship: Anish Kapoor as British/Asian/artist -- Form: queer zen -- Subject matter: writing as a racial pharmakon -- Space/site: writing queer feminist transnational South Asian art histories -- 'Practice-led': producing art, producing art history -- Affect belonging.;

506 a| Available only to authorized users.;

520 8 a| This monograph sets out to write new transnational South Asian art histories - to make visible histories of artworks that remain marginalised within the discipline of art history. However, this is done through a deliberate 'productive failure' - specifically, by not upholding the strictly genealogical approach that is regularly assumed for South Asian art histories. For instance, one chapter explores the abstract work of Cy Twombly and Natvar Bhavsar. I also examine 'whiteness', the invisible ground upon which racialized art histories often pivot, as a fraught yet productive site for writing art history. As the book progresses, art historical 'writing' includes a range of practice-led forms, such as curating exhibitions or my affective engagement with visual culture. Overall, I suggest methods for generating art history that acknowledge the complex web of factors within which art history is produced and the different forms of knowledge-production we might count as art history.;

538 a| Mode of access: World Wide Web;

650 0 a| Artz| South Asiax| History.=| ^A5319;

650 0 a| Artx| Historiography.=| ^A69716;

650 0 a| Art and race.=| ^A418537;

650 0 a| Homosexuality and art.=| ^A109977;

650 0 a| Queer theory.=| ^A687476;

650 7 a| Art.2| fast0| (OCoLC)fst00815177;

650 7 a| Art and race.2| fast0| (OCoLC)fst00815423;

650 7 a| Artx| Historiography.2| fast0| (OCoLC)fst00815259;

650 7 a| Homosexuality and art.2| fast0| (OCoLC)fst00959813;

650 7 a| Queer theory.2| fast0| (OCoLC)fst01739572;

651 7 a| South Asia.2| fast0| (OCoLC)fst01244520?| UNAUTHORIZED;

655 0 a| Electronic books.=| ^A491897;

830 0 a| Rethinking art's histories.=| ^A1092729;

856 40 z| Full text available from eBooks on EBSCOhostu| https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1564792&scope=site&custid=s5822723&authtype=ip,shib;

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Productive failure writing queer transnational South Asian art histories / Alpesh Kantilal Patel.

Author/creator	Patel, Alpesh Kantilal
Format	Electronic
Publication Info	Manchester : Manchester University Press, 2017.
Description	xxii, 250 pages, 16 unnumbered pages of plates : illustrations (some color) ; 25 cm
Supplemental Content	Full text available from eBooks on EBSCOhost
Subjects	Art--South Asia. --History. Art--Historiography. Art and race. Homosexuality and art. Queer theory.

Series	Rethinking art's histories Rethinking art's histories. ^A1092729
Contents	Introduction: towards creolizing transnational South Asian art histories -- Authorship: Anish Kapoor as British/Asian/artist -- Form: queer zen -- Subject matter: writing as a racial pharmakon -- Space/site: writing queer feminist transnational South Asian art histories -- 'Practice-led': producing art, producing art history -- Affect belonging.
Summary	This monograph sets out to write new transnational South Asian art histories - to make visible histories of artworks that remain marginalised within the discipline of art history. However, this is done through a deliberate 'productive failure' - specifically, by not upholding the strictly genealogical approach that is regularly assumed for South Asian art histories. For instance, one chapter explores the abstract work of Cy Twombly and Natvar Bhavsar. I also examine 'whiteness', the invisible ground upon which racialized art histories often pivot, as a fraught yet productive site for writing art history. As the book progresses, art historical 'writing' includes a range of practice-led forms, such as curating exhibitions or my affective engagement with visual culture. Overall, I suggest methods for generating art history that acknowledge the complex web of factors within which art history is produced and the different forms of knowledge-production we might count as art history.
Bibliography note	Includes bibliographical references (pages 215-239) and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2017385893
ISBN	9781784992545
ISBN	1784992542

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Productive failure writing queer transnational South Asian art histories / Alpesh Kantilal Patel.

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