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020 a| 1350154083q| hardcover;

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100 1 a| Sengupta, Ashis,d| 1962-=| ^A1251895;

245 10 a| Postdramatic theatre and Indiah| [electronic resource] :b| theatre-making since the 1990s /c| Ashis Sengupta, series editors Mark Taylor-Batty and Enoch Brater.;

260 a| London, UK ;a| New York, NY :b| Methuen Drama, Bloomsbury Publishing Plc.,c| 2022.;

300 a| x, 202 pages :b| illustrations (black and white) ;c| 23 cm.;

490 1 a| Methuen Drama engage;

504 a| Includes bibliographical references (pages 183-196) and index.;

505 00 t| Introduction.t| Hans-Thies Lehmann and since: debates in postdramatic theatre and performance --t| Theorizing and contextualizing India's postdramatic --t| The non-dramatic turn in Indian theatre: early adaptations and devised plays --t| India's postdramatic I: "Telling stories across forms," theatre and the new political, theatre of scenography --t| India's postdramatic II: monologies and theatre solos --t| India's postdramatic III: theatre-as-event, reality theatre, theatre installations --t| Activism in India's postdramatic theatre --t| Conclusion.t| Postdrama and theatre-making in India.;

506 a| Available only to authorized users.;

520 a| Postdramatic Theatre and India participates in the ongoing debate on Hans-Thies Lehmann's theory of the postdramatic by placing contemporary Indian theatre within the conversation. It demonstrates how urban productions in India since the 1990s, which grew out of a complex of changing global and regional circumstances, have used theatre-making protocols to enter into dialogue with the postdramatic, reworking the process by enriching it with domestic performance cultures. Rich in formal diversity, theatre in India today includes devised shows, theatre solos, cross-media performance, theatre installations, scenographic theatre, theatre-as-event, reality theatre, and so much more. The book balances theory, contextualization and praxis, developing an entirely new area of scholarship in Indian theatre. Interspersed with this are Indian theatre-makers' reflections on their own theory and practices vis-à-vis those in the rest of the world. -- Cover page 4.;

538 a| Mode of access: World Wide Web;

650 0 a| Indic dramay| 20th centuryx| History and criticism.=| ^A835432;

650 0 a| Indic dramay| 21st centuryx| History and criticism.=| ^A835432;

655 0 a| Electronic books.=| ^A491897;

776 08 i| ebook version :z| 9781350154094;

830 0 a| Methuen drama engage.=| ^A1257769;

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Postdramatic theatre and India theatre-making since the 1990s / Ashis Sengupta, series editors Mark Taylor-Batty and Enoch Brater.

Author/creator	Sengupta, Ashis, 1962-
Format	Electronic
Publication Info	London, UK ; New York, NY : Methuen Drama, Bloomsbury Publishing Plc., 2022.
Description	x, 202 pages : illustrations (black and white) ; 23 cm.
Supplemental Content	Full text available from eBooks on EBSCOhost
Subjects	Theater--India. --History. --20th century. Theater--India. --History. --21st century. Indic drama--20th century. --History and criticism. Indic drama--21st century. --History and criticism.

Series	Methuen Drama engage Methuen drama engage. ^A1257769
Contents	Introduction. Hans-Thies Lehmann and since: debates in postdramatic theatre and performance -- Theorizing and contextualizing India's postdramatic -- The non-dramatic turn in Indian theatre: early adaptations and devised plays -- India's postdramatic I: "Telling stories across forms," theatre and the new political, theatre of scenography -- India's postdramatic II: monologies and theatre solos -- India's postdramatic III: theatre-as-event, reality theatre, theatre installations -- Activism in India's postdramatic theatre -- Conclusion. Postdrama and theatre-making in India.
Abstract	Postdramatic Theatre and India participates in the ongoing debate on Hans-Thies Lehmann's theory of the postdramatic by placing contemporary Indian theatre within the conversation. It demonstrates how urban productions in India since the 1990s, which grew out of a complex of changing global and regional circumstances, have used theatre-making protocols to enter into dialogue with the postdramatic, reworking the process by enriching it with domestic performance cultures. Rich in formal diversity, theatre in India today includes devised shows, theatre solos, cross-media performance, theatre installations, scenographic theatre, theatre-as-event, reality theatre, and so much more. The book balances theory, contextualization and praxis, developing an entirely new area of scholarship in Indian theatre. Interspersed with this are Indian theatre-makers' reflections on their own theory and practices vis-à-vis those in the rest of the world. -- Cover page 4.
Bibliography note	Includes bibliographical references (pages 183-196) and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Issued in other form	ebook version : 9781350154094
Genre/form	Electronic books.
LCCN	2021389255
ISBN	1350154083 hardcover
ISBN	9781350154087 hardcover
ISBN	electronic publication
ISBN	electronic book

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Postdramatic theatre and India theatre-making since the 1990s / Ashis Sengupta, series editors Mark Taylor-Batty and Enoch Brater.

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