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010 a| 2025017948;

020 a| 9798765119488q| paperback;

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020 z| 9798765119495q| epub;

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245 10 a| Plunderphonicsh| [electronic resource] /c| Matthew Blackwell.;

250 a| [1].;

260 a| New York :b| Bloomsbury Academic,c| 2025.;

263 a| 2511;

300 a| pages cm;

334 a| single unitb| mono0| http://id.loc.gov/vocabulary/issuance/mono;

353 a| bibliographyb| bibliography0| http://id.loc.gov/vocabulary/msupplcont/bibliography;

353 a| indexb| index0| http://id.loc.gov/vocabulary/msupplcont/index;

490 0 a| 33 1/3 genre;

504 a| Includes bibliographical references and index.;

505 0 a| Pre-Plunderphonics : From Charles Ives to Grandmaster Flash -- Postmodern Piracy : Michael Jackson v. John Oswald -- Negativ Press : U2 v. Negativland -- Licensing Ills : The Avalanches v. The Sample Clearance System -- Fair Use, Fair Play : Girl Talk v. The World -- Epilogue -- 10 Essential Tracks.;

506 a| Available only to authorized users.;

520 a| "In the 1980s, a group of pranksters led by Canadian composer John Oswald and San Francisco band Negativland took on the major labels by making music with purposefully uncleared samples. Pillaging and parodying music from Dolly Parton, Beethoven, the Beatles and dozens of others, they incited legal threats that they then turned into publicity for their cause. In a wide-ranging history that discusses landmark works by Steinski, The Tape Beatles, People Like Us, DJ Shadow, J Dilla, and Danger Mouse, this book narrates the battle against restrictive copyright laws and the rise of a movement toward a shared creative commons"-- Provided by publisher.;

538 a| Mode of access: World Wide Web;

600 10 a| Oswald, John,d| 1953-x| Criticism and interpretation?| UNAUTHORIZED;

650 0 a| Plunderphonicsx| History and criticism?| UNAUTHORIZED;

650 0 a| Copyrightx| Music0| http://id.loc.gov/authorities/subjects/sh85032470=| ^A802067;

655 0 a| Electronic books.=| ^A491897;

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758 4| http://id.loc.gov/ontologies/bibframe/instanceOf1| http://id.loc.gov/resources/works/24150603;

856 40 z| Full text available from eBooks on EBSCOhostu| https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=4370197&scope=site&custid=s5822723&authtype=ip,shib;

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999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6777409-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 7/19/2026x| EBOOKz| JERESOURCE;

Plunderphonics / Matthew Blackwell.

Author/creator	Blackwell, Matthew
Format	Electronic
Edition	[1].
Publication Info	New York : Bloomsbury Academic, 2025.
Description	pages cm
Supplemental Content	Full text available from eBooks on EBSCOhost
Subjects	Oswald, John, 1953---Criticism and interpretation. Plunderphonics--History and criticism. Copyright--Music.

Series	33 1/3 genre
Contents	Pre-Plunderphonics : From Charles Ives to Grandmaster Flash -- Postmodern Piracy : Michael Jackson v. John Oswald -- Negativ Press : U2 v. Negativland -- Licensing Ills : The Avalanches v. The Sample Clearance System -- Fair Use, Fair Play : Girl Talk v. The World -- Epilogue -- 10 Essential Tracks.
Abstract	"In the 1980s, a group of pranksters led by Canadian composer John Oswald and San Francisco band Negativland took on the major labels by making music with purposefully uncleared samples. Pillaging and parodying music from Dolly Parton, Beethoven, the Beatles and dozens of others, they incited legal threats that they then turned into publicity for their cause. In a wide-ranging history that discusses landmark works by Steinski, The Tape Beatles, People Like Us, DJ Shadow, J Dilla, and Danger Mouse, this book narrates the battle against restrictive copyright laws and the rise of a movement toward a shared creative commons"-- Provided by publisher.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2025017948
ISBN	9798765119488 paperback
ISBN	pdf
ISBN	epub

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