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010 a| 2022059474;

020 a| 9781350297975q| (epub);

020 a| 9781350297982q| (pdf);

020 z| 9781350297968q| (hardback);

035 a| (WaSeSS)ssj0002827271;

042 a| pcc;

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050 00 a| PN2190;

082 00 a| 792.09/052| 23/eng/20230427;

100 1 a| Walsh, Fintan,d| 1979-=| ^A1152166;

245 10 a| Performing the queer pasth| [electronic resource] :b| public possessions /c| Fintan Walsh.;

260 a| London ;a| New York :b| Methuen Drama,c| 2023.;

300 a| 1 online resource;

490 0 a| Methuen drama agitations: text, politics and performances;

504 a| Includes bibliographical references and index.;

505 0 a| Introduction: Performing queer possession -- Channelling ghosts: the haunted present -- Muscle memories: exe(o)rcising history -- Reenacting violence: sharing responsibility -- Arresting objects: transforming matters -- Wilde spirits: occupation and commemoration -- Grief's ricochet: intermedial returns -- Epilogue: Shorelines of the dispossessed.;

506 a| Available only to authorized users.;

520 a| "How do contemporary theatre and performance appear to be possessed by the queer past? This book explores how the queer past is invoked via strategies of channeling and haunting, working through and working out, recollection and replay, commodification and reproduction, occupation and commemoration, intermedial recontextualization and dissemination. It focuses on an eclectic range of case studies including Artangel, Dickie Beau, Jeremy O. Harris, Karen Finley, Milo Rau, Rachel Mars, Split Britches and Travis Alabanza, and practices that encompass digital theatre, experimental performance, installation, live art and site-specific interventions"--c| Provided by publisher.;

538 a| Mode of access: World Wide Web;

588 a| Description based on print version record and CIP data provided by publisher.;

650 0 a| Theaterx| Historyy| 21st century.=| ^A30717;

650 0 a| Sexual minorities in the theater.?| UNAUTHORIZED;

650 0 a| Gender identity in the theater.=| ^A758216;

655 0 a| Electronic books.=| ^A491897;

776 08 i| Print version:a| Walsh, Fintan, 1979-t| Performing the queer pastd| London ; New York : Methuen Drama, 2023z| 9781350297968w| (DLC) 2022059473;

856 40 z| Full text available from eBooks on EBSCOhostu| https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3612950&scope=site&custid=s5822723&authtype=ip,shib;

949 a| CLICK ON WEB ADDRESSw| ASISh| JOYNER188;

949 a| CLICK ON WEB ADDRESSw| ASISh| HSL77;

949 a| CLICK ON WEB ADDRESSw| ASISh| JMUSIC60;

596 a| 1 3 4;

998 a| 6776318;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6776318-1001l| JNETm| JOYNERr| Ys| Yt| JNESSBKu| 7/19/2026x| EBOOKz| JERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6776318-2001l| HSLELECm| HSLr| Ys| Yt| HEBKu| 7/19/2026x| EBOOKz| HERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6776318-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 7/19/2026x| EBOOKz| JERESOURCE;

Performing the queer past public possessions / Fintan Walsh.

Author/creator	Walsh, Fintan, 1979-
Format	Electronic
Publication Info	London ; New York : Methuen Drama, 2023.
Description	1 online resource
Supplemental Content	Full text available from eBooks on EBSCOhost
Subjects	Theater--History. --21st century. Sexual minorities in the theater. Gender identity in the theater.

Series	Methuen drama agitations: text, politics and performances
Contents	Introduction: Performing queer possession -- Channelling ghosts: the haunted present -- Muscle memories: exe(o)rcising history -- Reenacting violence: sharing responsibility -- Arresting objects: transforming matters -- Wilde spirits: occupation and commemoration -- Grief's ricochet: intermedial returns -- Epilogue: Shorelines of the dispossessed.
Abstract	"How do contemporary theatre and performance appear to be possessed by the queer past? This book explores how the queer past is invoked via strategies of channeling and haunting, working through and working out, recollection and replay, commodification and reproduction, occupation and commemoration, intermedial recontextualization and dissemination. It focuses on an eclectic range of case studies including Artangel, Dickie Beau, Jeremy O. Harris, Karen Finley, Milo Rau, Rachel Mars, Split Britches and Travis Alabanza, and practices that encompass digital theatre, experimental performance, installation, live art and site-specific interventions"-- Provided by publisher.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Source of description	Description based on print version record and CIP data provided by publisher.
Issued in other form	Print version: Walsh, Fintan, 1979- Performing the queer past London ; New York : Methuen Drama, 2023 9781350297968
Genre/form	Electronic books.
LCCN	2022059474
ISBN	9781350297975 (epub)
ISBN	9781350297982 (pdf)
ISBN	(hardback)

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Performing the queer past public possessions / Fintan Walsh.

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