Performing Korea / Patrice Pavis ; translated by Joel Anderson.

Contents Machine generated contents note: pt. 1 Introduction to the Examples and to the Method -- 1. Theater and Theater Research in Korea and Elsewhere: Where Are We, Where Are We Going? -- Rerouting Theory: What (a) History! -- Our Re-search Engines -- Research Blockages -- New Fields -- Rerouting Theater, or Rerouting the Society of the Spectacles Theater? -- Rerouting, Diverting, Redirecting, the Politics of the University? Changing Course? A Few Conclusions -- Notes -- 2. Globalization in a Few Korean Performances -- Globalization -- Intercultural Theater, Globalized Theater -- Globalization in Production and Reception -- Glocalization -- Notes -- 3. Mise en Scene Made in Korea -- Hypothesis on Mise en Scene -- Koreanization: Examples and Strategies -- Representation of One's Own Culture: From Inter to Global -- Examples of Koreanization: Oh, Tai-Sok's Tempest -- A Few Tentative Final Conclusions -- Notes -- pt. 2 On a Few Theatre Productions -- 4. A Few Contemporary French and Korean Playwrights: A Comparison -- Intimacy -- Politics -- History -- Narrative and Storytelling -- Conclusions -- Notes -- 5. Questions to the Past: The Puppet Play Batyr Mamai by Kim Kwang Lim -- Notes -- 6. I, Na Hyeseok, the Undesirable: A Stage Requiem by Kim Minseung -- Dramaturgy -- A Discursive and Narrative Space -- Note -- 7. A Few Productions by Kim Hyun-Tak: Death of a Salesman, Medea on Media, The Maids -- Death of a Salesman -- Scenography -- Account of the Stage Action -- Adaptation -- Acting -- Media -- Dramaturgy and Adaptation -- Corporality -- Notes -- 8. On Lee Young-Seok's Production of Orwell's Coming Up for Air -- Narration and Storytelling -- A. New Technique for Acting and Telling: Tellacting? -- Tellacting Style and Technique -- Historical Background -- Ma Scene -- Notes -- 9. Is Modernized Pansori Political? On Lee Jaram's Ukchuk-Ga (Mother Courage and her Children) -- Analysis of a Scene -- Dramaturgical Adaptation -- Physical and Vocal Adaptation -- Dramaturgy of a Rolling Stone -- Voice and Affect -- The Politics of Modernized Pansori -- Notes -- pt. 3 On a Few Theatre-Dance and Dance Performances -- 10. Woyzeck as Dance Theater: A Comparison Between Im Do-Wan and Josef Nadj -- Adaptation -- Transfiguration and Interpretation -- Formalism and Organicity: Their Effects und their Reception -- The Intercultural -- Notes -- 11. A Seoul Song for Hong Sehee: On the Dance Solo A Song for You -- Image less Memories -- 12. Self-Portrait. Three Stages of Life. On a Solo by Nam Jeong-ho -- pt. 4 On a Few Cultural Performances -- 13. Parody in K-pop: An Analysis of the Video Nobody, by JYP, with the Wonder Girls -- An Example of Imitation by the Fans: Wonder Girls vs Wonder Baby -- What Conclusions? -- Notes -- 14. Flowers and Tears. On Park Eunyoung's Installation and Multimedia Theater -- General Disorientation -- Installation and Apparatus -- The Theater of Yesteryear -- The Double Play of the Image -- Painting or Calligraphy? -- Notes -- 15. On Falling -- Notes -- pt. 5 Epilogue -- 16. Can a Foreigner Watch the Performance of Others? -- Questions -- The Foreign: That Which Changes our Identity -- A Spectator Who Doesn't Have to Watch Out? -- Which Global Theory? -- Koreanization or Globalization? -- A Spectator on the Road to Globalization? -- Notes.
Bibliography noteIncludes bibliographical references and index.
Access restrictionAvailable only to authorized users.
Technical detailsMode of access: World Wide Web
LanguageTranslated from the French.
Genre/formElectronic books.
LCCN 2016959561
ISBN9781137444905 (hardcover ; acid-free paper)
ISBN1137444908 (hardcover ; acid-free paper)
ISBN(ebook)
ISBN(ebook)

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