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010 a| 2014028973;

020 a| 9781137269942 (hardcover);

020 a| 9781349444175;

020 z| 9781137269959 (eBook);

035 a| (WaSeSS)ssj0001402501;

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050 00 a| PN1995.9.P7b| M335 2014;

082 00 a| 791.4302/322| 23;

084 a| PER004010a| PER004030a| SOC0520002| bisacsh;

100 1 a| Martin, Adrian,d| 1959-=| ^A1127964;

245 10 a| Mise en scène and film styleh| [electronic resource] :b| from classical Hollywood to new media art /c| Adrian Martin, Monash University, Australia.;

250 a| 1st edition.;

260 a| Houndmills, Basingstoke, Hampshire ;a| New York, NY :b| Palgrave Macmillan,c| 2014.;

300 a| xviii, 235 pages :b| illustrations ;c| 23 cm.;

490 0 a| Palgrave Close Readings;

504 a| Includes bibliographical references (pages 217-225) and index.;

506 a| Available only to authorized users.;

520 a| "Styles of filmmaking have changed greatly from the classical Hollywood system, with its emphasis on narrative and character, to the current digital era of YouTube and installation art, where audiovisual spectacle takes command. The ways in which film critics and scholars have analysed these transformations in film style have also often changed. This book explores two central style concepts from the history of audiovisual criticism and theory, mise en scène and dispositif, to illuminate a wide range of film and new media examples. It argues that we need an open, inclusive and truly international approach to understand anew both old and current film and media works"--c| Provided by publisher.;

538 a| Mode of access: World Wide Web;

650 0 a| Motion picturesx| Production and direction.=| ^A23065;

650 0 a| Mass mediax| Technological innovations.=| ^A184564;

650 7 a| PERFORMING ARTS / Film & Video / Direction & Production.2| bisacsh;

650 7 a| PERFORMING ARTS / Film & Video / History & Criticism.2| bisacsh;

650 7 a| SOCIAL SCIENCE / Media Studies.2| bisacsh;

655 0 a| Electronic books.=| ^A491897;

856 40 z| Full text available from eBooks on EBSCOhostu| https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=998261&scope=site&custid=s5822723&authtype=ip,shib;

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Mise en scène and film style from classical Hollywood to new media art / Adrian Martin, Monash University, Australia.

Author/creator	Martin, Adrian, 1959-
Format	Electronic
Edition	1st edition.
Publication Info	Houndmills, Basingstoke, Hampshire ; New York, NY : Palgrave Macmillan, 2014.
Description	xviii, 235 pages : illustrations ; 23 cm.
Supplemental Content	Full text available from eBooks on EBSCOhost
Subjects	Motion pictures--Production and direction. Mass media--Technological innovations.

Series	Palgrave Close Readings
Abstract	"Styles of filmmaking have changed greatly from the classical Hollywood system, with its emphasis on narrative and character, to the current digital era of YouTube and installation art, where audiovisual spectacle takes command. The ways in which film critics and scholars have analysed these transformations in film style have also often changed. This book explores two central style concepts from the history of audiovisual criticism and theory, mise en scène and dispositif, to illuminate a wide range of film and new media examples. It argues that we need an open, inclusive and truly international approach to understand anew both old and current film and media works"-- Provided by publisher.
Bibliography note	Includes bibliographical references (pages 217-225) and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2014028973
ISBN	9781137269942 (hardcover)
ISBN	9781349444175

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Mise en scène and film style from classical Hollywood to new media art / Adrian Martin, Monash University, Australia.

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