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010 a| 2017948698;

020 a| 9781137585721 (acid-free paper);

020 a| 1137585722 (acid-free paper);

020 z| 9781137585738q| (eBook);

035 a| (WaSeSS)ssj0002060709;

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050 00 a| PN1995b| .L626 2017;

082 04 a| 791.43012| 23;

245 04 a| The long takeh| [electronic resource] :b| critical approaches /c| John Gibbs, Douglas Pye, editors.;

260 a| London :b| Palgrave Macmillan,c| [2017];

300 a| xvii, 263 pages :b| illustrations (some color) ;c| 22 cm.;

490 1 a| Palgrave close readings in film and television;

504 a| Includes bibliographical references and index.;

506 a| Available only to authorized users.;

520 8 a| This is the first book in English exclusively devoted to the long take, one of the key elements of film style. Increasingly visible in contemporary international media, the long take currently attracts a good deal of attention in criticism and commentary. There are also significant strands of film theory in which duration has become a recurrent concern. In keeping with the approach of Palgrave Close Readings in Film and Television, this collection is devoted to the detailed critical analysis of specific long takes, explored in terms of how they function within their contexts, how they shape the visual field, the meanings they generate and the effects they create. 'The Long Take: Critical Approaches' brings together essays by established and emerging scholars (all but one essay commissioned for this volume) in an exciting collection that analyses works from a range of filmmaking traditions, from the 1930s to the present day, selected to represent varied long take practices and to explore associated debates.;

538 a| Mode of access: World Wide Web;

650 0 a| Motion picturesx| Aesthetics.=| ^A17581;

650 0 a| Motion picturesx| Production and direction.=| ^A23065;

650 7 a| Motion picturesx| Aesthetics.2| fast0| (OCoLC)fst01027288;

650 7 a| Motion picturesx| Production and direction.2| fast0| (OCoLC)fst01027357;

655 0 a| Electronic books.=| ^A491897;

700 1 a| Gibbs, John,d| 1970-?| UNAUTHORIZED;

700 1 a| Pye, Douglas.?| UNAUTHORIZED;

830 0 a| Palgrave close readings in film and television.=| ^A1166354;

856 40 z| Full text available from eBooks on EBSCOhostu| https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=4196638&scope=site&custid=s5822723&authtype=ip,shib;

947 a| (OCoLC)ocn992746539;

949 a| CLICK ON WEB ADDRESSw| ASISh| JOYNER188;

949 a| CLICK ON WEB ADDRESSw| ASISh| HSL77;

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999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6768240-1001l| JNETm| JOYNERr| Ys| Yt| JNESSBKu| 7/18/2026x| EBOOKz| JERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6768240-2001l| HSLELECm| HSLr| Ys| Yt| HEBKu| 7/18/2026x| EBOOKz| HERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6768240-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 7/18/2026x| EBOOKz| JERESOURCE;

The long take critical approaches / John Gibbs, Douglas Pye, editors.

Other author	Gibbs, John, 1970-
Other author	Pye, Douglas.
Format	Electronic
Publication Info	London : Palgrave Macmillan, [2017]
Description	xvii, 263 pages : illustrations (some color) ; 22 cm.
Supplemental Content	Full text available from eBooks on EBSCOhost
Subjects	Motion pictures--Aesthetics. Motion pictures--Production and direction.

Series	Palgrave close readings in film and television Palgrave close readings in film and television. ^A1166354
Summary	This is the first book in English exclusively devoted to the long take, one of the key elements of film style. Increasingly visible in contemporary international media, the long take currently attracts a good deal of attention in criticism and commentary. There are also significant strands of film theory in which duration has become a recurrent concern. In keeping with the approach of Palgrave Close Readings in Film and Television, this collection is devoted to the detailed critical analysis of specific long takes, explored in terms of how they function within their contexts, how they shape the visual field, the meanings they generate and the effects they create. 'The Long Take: Critical Approaches' brings together essays by established and emerging scholars (all but one essay commissioned for this volume) in an exciting collection that analyses works from a range of filmmaking traditions, from the 1930s to the present day, selected to represent varied long take practices and to explore associated debates.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2017948698
ISBN	9781137585721 (acid-free paper)
ISBN	1137585722 (acid-free paper)
ISBN	(eBook)

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