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100 1 a| Reynolds, Bryanq| (Bryan Randolph)=| ^A528347;

245 10 a| Intermedial theaterh| [electronic resource] :b| performance philosophy, transversal poetics, and the future of affect /c| Bryan Reynolds.;

260 a| London :b| Palgrave Macmillan,c| [2017];

300 a| xviii, 314 pages :b| illustations (some color) ;c| 22 cm.;

490 1 a| Palgrave studies in performance and technology;

504 a| Includes bibliographical references and index.;

505 0 a| Introduction: formal matters -- Noodling the nodals, nodal Hamlet: difference and repetition, extreme performances, remembering to forget -- Aspects of intermediality: objective agency, wonderment, and transversal refractions from the age of Shakespeare -- The fugitive theater of Romeo Castellucci and Jan Lauwers after Nietzsche and with Guattari and Deleuze: intermedial operations, animal interventions, and fractalactic occurrences -- Transversal affectivity and the lobster: intimate advances of Deleuze and Guattari, Rodrigo García and La Carnicería Teatro, Jan Lauwers and Needcompany, and Alice in wonderland -- Fractalicious! (Implosive affects and transversal refractions) -- For the love of Hamlet's headspace: noodling with Deleuze, Thomas Ostermeier's nodals, and allo-realism.;

506 a| Available only to authorized users.;

520 8 a| This book explores relationships between intermedial theater, consciousness, memory, objects, subjectivity, and affect through productive engagement with the performance aesthetics, socio-cognitive theory, and critical methodology of transversal poetics alongside other leading philosophical approaches to performance. It offers the first sustained analysis of the work of Gilles Deleuze, Felix Guattari, Jean Baudrillard, and Friedrich Nietzsche in relation to the contemporary European theater of Jan Lauwers and Needcompany, Romeo Castellucci and Societas Raffaello Sanzio, Thomas Ostermeier, Rodrigo Garcia and La Carniceria Teatro, and the Transversal Theater Company. It connects contemporary uses of objects, simulacra, and technologies in both posthumanist discourse and postdramatic theater to the transhistorically and culturally mediating power of Shakespeare as a means by which to discuss the affective impact of intermedial theater on today's audiences.;

538 a| Mode of access: World Wide Web;

650 0 a| Intermediality.=| ^A1194653;

650 0 a| Theaterx| Study and teaching.=| ^A17886;

650 7 a| Intermediality.2| fast0| (OCoLC)fst01744695;

650 7 a| Theaterx| Study and teaching.2| fast0| (OCoLC)fst01149303;

655 0 a| Electronic books.=| ^A491897;

830 0 a| Palgrave studies in performance and technology.=| ^A1192198;

856 40 z| Full text available from eBooks on EBSCOhostu| https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1362927&scope=site&custid=s5822723&authtype=ip,shib;

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Intermedial theater performance philosophy, transversal poetics, and the future of affect / Bryan Reynolds.

Author/creator	Reynolds, Bryan
Format	Electronic
Publication Info	London : Palgrave Macmillan, [2017]
Description	xviii, 314 pages : illustations (some color) ; 22 cm.
Supplemental Content	Full text available from eBooks on EBSCOhost
Subjects	Intermediality. Theater--Study and teaching.

Series	Palgrave studies in performance and technology Palgrave studies in performance and technology. ^A1192198
Contents	Introduction: formal matters -- Noodling the nodals, nodal Hamlet: difference and repetition, extreme performances, remembering to forget -- Aspects of intermediality: objective agency, wonderment, and transversal refractions from the age of Shakespeare -- The fugitive theater of Romeo Castellucci and Jan Lauwers after Nietzsche and with Guattari and Deleuze: intermedial operations, animal interventions, and fractalactic occurrences -- Transversal affectivity and the lobster: intimate advances of Deleuze and Guattari, Rodrigo García and La Carnicería Teatro, Jan Lauwers and Needcompany, and Alice in wonderland -- Fractalicious! (Implosive affects and transversal refractions) -- For the love of Hamlet's headspace: noodling with Deleuze, Thomas Ostermeier's nodals, and allo-realism.
Summary	This book explores relationships between intermedial theater, consciousness, memory, objects, subjectivity, and affect through productive engagement with the performance aesthetics, socio-cognitive theory, and critical methodology of transversal poetics alongside other leading philosophical approaches to performance. It offers the first sustained analysis of the work of Gilles Deleuze, Felix Guattari, Jean Baudrillard, and Friedrich Nietzsche in relation to the contemporary European theater of Jan Lauwers and Needcompany, Romeo Castellucci and Societas Raffaello Sanzio, Thomas Ostermeier, Rodrigo Garcia and La Carniceria Teatro, and the Transversal Theater Company. It connects contemporary uses of objects, simulacra, and technologies in both posthumanist discourse and postdramatic theater to the transhistorically and culturally mediating power of Shakespeare as a means by which to discuss the affective impact of intermedial theater on today's audiences.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2017933308
ISBN	9781137508379 (acid-free paper)

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