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010 a| 2016954799;

020 a| 9781137518316 (hardback : acid-free paper);

020 a| 1137518316;

020 z| 9781137518323 (eBook);

035 a| (WaSeSS)ssj0002026698;

042 a| lccopycat;

049 a| EREEa| NEHH;

050 00 a| PN57.D4b| T36 2016;

082 04 a| 809/.9338202162| 23;

100 1 a| Tambling, Jeremy.=| ^A213023;

245 10 a| Histories of the devilh| [electronic resource] :b| from Marlowe to Mann and the manichees /c| Jeremy Tambling.;

260 a| London :b| Palgrave MacMillan ,c| [2016];

300 a| xvii, 308 pages ;c| 22 cm;

504 a| Includes bibliographical references (pages 283-304) and index.;

505 0 a| Dualism -- Soliloquy and the Genius -- Allegory -- Notes -- `The Tempter or the Tempted, Who Sins Most?' -- Doctor Faustus: The Good Angel and the Spirit -- Logo's Soliloquies -- Angelo, Iago, Macbeth -- Notes -- Medieval and Early Modern Devils: Names and Images -- Chaucer's Devil in Green -- Dante: The Devil a Logician -- The Pardoner's and Canon's Yeoman's Tales -- The Harrowing of Hell -- Goodman Devil -- The Porter in Macbeth -- Notes -- From Carnival to King Lear. Ships, Dogs, Fools, and the Picaro -- Bosch, Bruegel, and Dulle Griet -- Rabelais: Pantagruel and Panurge -- Rabelais: on Calumny -- Carnival Time -- Falstaff and Melancholia -- King Lear: Exorcism -- King Lear `I cannot dance it further' -- Notes -- Fallen Fire: Job, Milton, and Blake -- Poor Devil -- Luther, Lacan, Loudun -- The Vagabond God -- and The Pilgrim's Progress -- Milton: `Man's First Disobedience' -- Blake's Job and Milton -- Notes --Masks, Doubles, Nihilism -- The Comic: The Mark of Satan -- `He Who Gets Slapped': Moliere and the Genius -- Haunting: Hogg and Hoffmann -- Nihilism -- Notes -- Goethe: Faust and Modernity -- Part One: Mephisto and Negation -- Margarete -- Intermezzo: George Eliot -- Intermezzo: Mephisto, and Hannah Arendt -- Part Two: Das Ewig-Weibliche -- Faust's Wager -- Notes -- Dostoevsky: Murder and Suicide -- Turgenev: vera and Bazarov -- Demons and Suicide -- The Meek One -- The Karamazov Brothers -- The Grand Inquisitor --Parricide -- Ivan's Devil -- Notes -- Bulgakov, Mann, Adorno, and Rushdie -- Woland and Margarita: The Uses of Madness -- Doctor Faustus -- Adrian's Music: Risking Barbarism -- Conclusion: Mann, The Satanic Verses, and `Evil' -- Notes.;

506 a| Available only to authorized users.;

520 8 a| This book is about representations of the devil in English and European literature. Tracing the fascination in literature, philosophy, and theology with the irreducible presence of what may be called evil, or comedy, or the carnivalesque, this book surveys the parts played by the devil in the texts derived from the Faustus legend, looks at Marlowe and Shakespeare, Rabelais, Milton, Blake, Hoffmann, Baudelaire, Goethe, Dostoevsky, Bulgakov, and Mann, historically, speculatively, and from the standpoint of critical theory. It asks: Is there a single meaning to be assigned to the idea of the diabolical? What value lies in thinking diabolically? Is it still the definition of a good poet to be of the devil's party, as Blake argued?;

538 a| Mode of access: World Wide Web;

650 0 a| Devil in literature.=| ^A62439;

650 7 a| Devil in literature.2| fast0| (OCoLC)fst00891990;

655 0 a| Electronic books.=| ^A491897;

856 40 z| Full text available from eBooks on EBSCOhostu| https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1478147&scope=site&custid=s5822723&authtype=ip,shib;

947 a| (OCoLC)ocn962331235;

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999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6761649-1001l| JNETm| JOYNERr| Ys| Yt| JNESSBKu| 7/17/2026x| EBOOKz| JERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6761649-2001l| HSLELECm| HSLr| Ys| Yt| HEBKu| 7/17/2026x| EBOOKz| HERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6761649-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 7/17/2026x| EBOOKz| JERESOURCE;

Histories of the devil from Marlowe to Mann and the manichees / Jeremy Tambling.

Author/creator	Tambling, Jeremy
Format	Electronic
Publication Info	London : Palgrave MacMillan , [2016]
Description	xvii, 308 pages ; 22 cm
Supplemental Content	Full text available from eBooks on EBSCOhost
Subjects	Devil in literature.

Contents	Dualism -- Soliloquy and the Genius -- Allegory -- Notes -- `The Tempter or the Tempted, Who Sins Most?' -- Doctor Faustus: The Good Angel and the Spirit -- Logo's Soliloquies -- Angelo, Iago, Macbeth -- Notes -- Medieval and Early Modern Devils: Names and Images -- Chaucer's Devil in Green -- Dante: The Devil a Logician -- The Pardoner's and Canon's Yeoman's Tales -- The Harrowing of Hell -- Goodman Devil -- The Porter in Macbeth -- Notes -- From Carnival to King Lear. Ships, Dogs, Fools, and the Picaro -- Bosch, Bruegel, and Dulle Griet -- Rabelais: Pantagruel and Panurge -- Rabelais: on Calumny -- Carnival Time -- Falstaff and Melancholia -- King Lear: Exorcism -- King Lear `I cannot dance it further' -- Notes -- Fallen Fire: Job, Milton, and Blake -- Poor Devil -- Luther, Lacan, Loudun -- The Vagabond God -- and The Pilgrim's Progress -- Milton: `Man's First Disobedience' -- Blake's Job and Milton -- Notes --Masks, Doubles, Nihilism -- The Comic: The Mark of Satan -- `He Who Gets Slapped': Moliere and the Genius -- Haunting: Hogg and Hoffmann -- Nihilism -- Notes -- Goethe: Faust and Modernity -- Part One: Mephisto and Negation -- Margarete -- Intermezzo: George Eliot -- Intermezzo: Mephisto, and Hannah Arendt -- Part Two: Das Ewig-Weibliche -- Faust's Wager -- Notes -- Dostoevsky: Murder and Suicide -- Turgenev: vera and Bazarov -- Demons and Suicide -- The Meek One -- The Karamazov Brothers -- The Grand Inquisitor --Parricide -- Ivan's Devil -- Notes -- Bulgakov, Mann, Adorno, and Rushdie -- Woland and Margarita: The Uses of Madness -- Doctor Faustus -- Adrian's Music: Risking Barbarism -- Conclusion: Mann, The Satanic Verses, and `Evil' -- Notes.
Summary	This book is about representations of the devil in English and European literature. Tracing the fascination in literature, philosophy, and theology with the irreducible presence of what may be called evil, or comedy, or the carnivalesque, this book surveys the parts played by the devil in the texts derived from the Faustus legend, looks at Marlowe and Shakespeare, Rabelais, Milton, Blake, Hoffmann, Baudelaire, Goethe, Dostoevsky, Bulgakov, and Mann, historically, speculatively, and from the standpoint of critical theory. It asks: Is there a single meaning to be assigned to the idea of the diabolical? What value lies in thinking diabolically? Is it still the definition of a good poet to be of the devil's party, as Blake argued?
Bibliography note	Includes bibliographical references (pages 283-304) and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2016954799
ISBN	9781137518316 (hardback : acid-free paper)
ISBN	1137518316

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