Compressed utterances collage in a Germanic context after 1912 / editor, Cole Collins.

Other author Collins, Cole, 1992-
Format Electronic
Publication InfoOxford ; New York : Peter Lang, [2022]
Descriptionxviii, 312 pages : illustrations ; 24 cm.
Supplemental ContentFull text available from eBooks on EBSCOhost
Subjects

SeriesGerman visual culture, 2296-0805 ; volume 12
Contents Collage's Interrelations: Text, Geography and Materiality -- Collage and Appropriation -- Defining and Re-Defining Collage in a Postwar Context -- Collage and Corporeality.
Abstract "Composite pictures create narratives and images from many fragments. They turn often disparate and juxtaposing images and text into a singular image or message. Collage makes from the broken and, arguably, no other country has reflected the fractious nature of its history more than Germany. The collage form is one of the best expressive forms to be taken up and experimented with by German artists since 1912. Compressed Utterances: Collage in a Germanic Context after 1912 brings together essays by scholars, students and curators to examine the use of collage by German-speaking artists, making in their homeland and abroad, whose works are closely connected to the tumultuous histories of Germany and neighbouring German-speaking nations since 1912 to the late 2000s"-- Provided by publisher.
Bibliography noteIncludes bibliographical references (pages 279-295) and index.
Access restrictionAvailable only to authorized users.
Technical detailsMode of access: World Wide Web
Genre/formElectronic books.
LCCN 2022013179
ISBN9781789971729 (hardback)
ISBN(ebook)
ISBN(epub)

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