Though there be giants : the ghetto pastoral mode in Black migration novels / Donald M. Shaffer.

SeriesMargaret Walker Alexander series in African American studies
Margaret Walker Alexander series in African American studies http://id.loc.gov/resources/hubs/a93e2aa1-4b5b-46e7-7269-ecd59f9046ba ^A446952
Contents Acknowledgments -- Introduction. "A glory to the grandeur of space": The ghetto pastoral mode and the politics of place -- Chapter one. The mock pastoral mode and the emergence of the Black migration novel -- Chapter two. "When the sun goes down": The ghetto pastoral mode in Jean Toomer's Cane -- Chapter three. The ghetto pastoral and domestic spaces of Black female desire in the city -- Chapter four. "Harlem is nowhere": Blues expression and the ghetto pastoral mode in Ralph Ellison's Invisible Man -- Conclusion. Where is the promised land? -- Notes -- Bibliography -- Index.
Abstract "The African American Great Migration novel emerged as a popular mode of fiction in the 1920s. Not surprisingly, the decade that saw both the Harlem Renaissance as well as the thunderous onset of the Jazz Age also provided the backdrop for Black migrant stories of personal triumph and transformation set in the symbolically potent urban landscape of America's iconic cityscapes. While these novels represented the powerful symbol of the Northern city as a proverbial Promised Land, they also reflected the urban pastoral conflict that defined the Black migrant experience. These novels marshaled a variant of the urban pastoral mode that historian Michael Denning has termed the "ghetto pastoral." In Though There Be Giants: The Ghetto Pastoral Mode in Black Migration Novels, Donald M. Shaffer advances Denning's concept of the ghetto pastoral to examine the ideological tension between rural and urban modes of experience in these novels. Through close readings of Paul Laurence Dunbar's Sport of the Gods, James Weldon Johnson's The Autobiography of an Ex-Colored Man, Nella Larsen's Quicksand, Walter White's Flight, Jean Toomer's Cane, and Ralph Ellison's Invisible Man, Shaffer demonstrates how these texts destabilize concepts of race and identity even as they attempt to locate "Blackness" in the spaces and places of the Northern city. Shaffer traces the historical and critical link between racial uplift novels of the late nineteenth century and Black modernist novels of the mid-twentieth century. This work thus examines a key figure of African American modernity: the liminal Black migrant standing at the proverbial crossroads of Southern folk culture and the transformative cultural spaces of the Northern city. This figure defines not only a generation of Black artistic expression but also stands as the culmination of the African American literary tradition"-- Provided by publisher.
Bibliography noteIncludes bibliographical references and index.
Issued in other formOnline version http://id.loc.gov/entities/relationships/onlineversion Shaffer, Donald M. Though there be giants Jackson : University Press of Mississippi, 2026 9781496855992
LCCN 2025047195
ISBN9781496855985
ISBN9781496855978 hardcover
ISBN1496855973 hardcover
ISBN1496855981 trade paperback
ISBNelectronic publication
ISBNelectronic publication
ISBNelectronic book
ISBNelectronic book

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