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010 a| 2024005615;

020 a| 9781469674124q| (cloth ;q| alk. paper);

020 a| 9781469674131q| (pbk. ;q| alk. paper);

020 z| 9781469674148q| (epub);

020 z| 9798890887467q| (pdf);

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084 a| LIT004040a| SOC0690002| bisacsh;

100 1 a| Sinche, Bryan.=| ^A1461542;

245 10 a| Published by the authorh| [electronic resource] :b| self-publication in nineteenth-century African American literature /c| Bryan Sinche.;

260 a| Chapel Hill :b| The University of North Carolina Press,c| [2024];

300 a| xiv, 258 pages :b| illustrations ;c| 25 cm.;

490 1 a| The John Hope Franklin series in African American history and culture;

504 a| Includes bibliographical references and index.;

505 0 a| Not in giving, but in buying a book: self-publishing and the supplicant text -- Independent of the abolitionists: antislavery self-publishing -- He was never the same man again: self-publishers rewrite American history -- I sue for justice to be established: self-publication as alternate testimony -- That this book may speak for me: preachers as publishers -- A grand report in the way of selling: publishing for profit -- The walking book.;

506 a| Available only to authorized users.;

520 a| "Publication is an act of power. It brings a piece of writing to the public and identifies its author as a person with an intellect and a voice that matters. Because nineteenth-century Black Americans knew that publication could empower them, and because they faced numerous challenges getting their writing into print or the literary market, many published their own books and pamphlets in order to garner social, political, or economic rewards. In doing so, these authors nurtured a tradition of creativity and critique that has remained largely hidden from view. Bryan Sinche surveys the hidden history of African American self-publication and offers new ways to understand the significance of publication as a creative, reformist, and remunerative project. Full of surprising turns, Sinche's study is not simply a look at genre or a movement; it is a fundamental reassessment of how print culture allowed Black ideas and stories to be disseminated to a wider reading public and enabled authors to retain financial and editorial control over their own narratives"--c| Provided by publisher.;

538 a| Mode of access: World Wide Web;

650 0 a| Self-publishingx| Social aspectsz| United States.=| ^A162675;

650 7 a| LITERARY CRITICISM / American / African American & Black2| bisacsh;

650 7 a| SOCIAL SCIENCE / Ethnic Studies / American / General2| bisacsh;

655 0 a| Electronic books.=| ^A491897;

830 0 a| John Hope Franklin series in African American history and culture.=| ^A413403;

856 40 z| Full text available from JSTOR University of North Carolina Press Publisher Collection (Backlist)u| https://go.openathens.net/redirector/ecu.edu?url=https%3A%2F%2Fwww.jstor.org%2Fstable%2F10.5149%2F9781469674155_sinche;

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Published by the author self-publication in nineteenth-century African American literature / Bryan Sinche.

Author/creator	Sinche, Bryan
Format	Electronic
Publication Info	Chapel Hill : The University of North Carolina Press, [2024]
Description	xiv, 258 pages : illustrations ; 25 cm.
Supplemental Content	Full text available from JSTOR University of North Carolina Press Publisher Collection (Backlist)
Subjects	American literature--African American authors. --19th century. --History and criticism. American literature--African American authors. --19th century. --Social aspects. Self-publishing--Social aspects. --United States. Self-publishing--United States. --History. --19th century.

Series	The John Hope Franklin series in African American history and culture John Hope Franklin series in African American history and culture. ^A413403
Contents	Not in giving, but in buying a book: self-publishing and the supplicant text -- Independent of the abolitionists: antislavery self-publishing -- He was never the same man again: self-publishers rewrite American history -- I sue for justice to be established: self-publication as alternate testimony -- That this book may speak for me: preachers as publishers -- A grand report in the way of selling: publishing for profit -- The walking book.
Abstract	"Publication is an act of power. It brings a piece of writing to the public and identifies its author as a person with an intellect and a voice that matters. Because nineteenth-century Black Americans knew that publication could empower them, and because they faced numerous challenges getting their writing into print or the literary market, many published their own books and pamphlets in order to garner social, political, or economic rewards. In doing so, these authors nurtured a tradition of creativity and critique that has remained largely hidden from view. Bryan Sinche surveys the hidden history of African American self-publication and offers new ways to understand the significance of publication as a creative, reformist, and remunerative project. Full of surprising turns, Sinche's study is not simply a look at genre or a movement; it is a fundamental reassessment of how print culture allowed Black ideas and stories to be disseminated to a wider reading public and enabled authors to retain financial and editorial control over their own narratives"-- Provided by publisher.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2024005615
ISBN	9781469674124 (cloth ; alk. paper)
ISBN	9781469674131 (pbk. ; alk. paper)
ISBN	(epub)
ISBN	(pdf)

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Published by the author self-publication in nineteenth-century African American literature / Bryan Sinche.

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