Patricios en contienda cuadros de costumbres, reformas liberales y representación del pueblo en Hispanoamérica (1830-1880) / por Felipe Martínez-Pinzón.
| Author/creator | Martínez-Pinzón, Felipe, 1980- |
| Format | Electronic |
| Publication Info | Chapel Hill : U.N.C., Department of Romance Studies, 2021. |
| Description | 389 pages : illustrations ; 23 cm. |
| Supplemental Content | Full text available from JSTOR University of North Carolina Press Publisher Collection (Backlist) |
| Subjects |
| Series | North Carolina studies in the Romance languages and literatures ; number 321 North Carolina studies in the Romance languages and literatures ; no. 321. ^A58403 |
| Contents | Pueblos en disputa: álbumes, museos literarios y periódicos ilustrados en el debate sobre la sociabilidad -- Androtopías: galerías de hombres ilustres, ficciones de paz y guerras civiles en el siglo XIX -- El anfitrión de la patria: el tipo del dandi como contra-modelo de nuevos y viejos patricios -- El llanero civilizador: José Antonio Páez, el tipo del llanero y los intelectuales del paecismo -- La invención del tipo del indio: literatura panorámica en la frontera amazónica -- El tipo del cosechero: color local y circuitos globales del comercio tabaquero a través de la literatura panorámica -- Otras formas de trabajo: caridad, independencia y mendicidad en Josefa Acevedo de Gómez -- Pueblos por venir: crisis agrícola, colonias de inmigrantes y manumisos en Fermín Toro -- Los límites del reformismo liberal: suicidio, pena de muerte y el tipo de la romántica en Dolores Veintimilla y Miguel Riofrío. |
| Abstract | "Patricios en contienda explores the ways in which cuadros de costumbres were deployed to nationalize local populations in Colombia, Ecuador and Venezuela as part of larger debates about how these national cultures should look like after Gran Colombia (1819-1830) disassembled. By placing cuadros de costumbres in its tumultuous context, this book shows how old elites proud of their Spanish ancestry - Colombian José María Vergara y Vergara (1831-1872) or Venezuelan Fermín Toro (1806-1865) - fought newer ones emerging from the War of Independence - Venezuelan general José Antonio Páez (1790-1873), his son Ramón Páez (1810-1894) or Italian geographer Agustín Codazzi (1793-1859) among others - in order to gain legitimacy in the transition from monarchical rule to republicanism. These new and old patricians chose different social types to write about and compiled them into albums, memoirs or 'literary museums' in order to create pueblos that reflected their own personal histories and political projects. They did so by adding and subtracting diverse historical experiences homogenized as picturesque types, such as the tobacco roller or the llanero. In response to the mechanisms of inclusion and exclusion, marginalized members of the elites-such as Colombian Josefa Acevedo de Gómez (1803-1861) or Ecuadorian Dolores Veintimilla (1829-1857) - participated in these public debates about 'costumbres nacionales' by writing about left-out types or repurposing the sketch in order to write lives of indigenous peoples. Ultimately, by situating cuadros de costumbres within the periodicals where they first appeared, Patricios en contienda argues they ought to be read as a political tool - and placed along micro-biographies of illustrious men or serialized novels appearing in the press- through which their authors sought to define the new Republics in the midst of a shifting political landscape were heterogeneous populations were being refashioned as one single national 'pueblo'"-- Provided by publisher. |
| Bibliography note | Includes bibliographical references (pages 353-389) and index. |
| Access restriction | Available only to authorized users. |
| Technical details | Mode of access: World Wide Web |
| Genre/form | Electronic books. |
| LCCN | 2021035945 |
| ISBN | 9781469667379 (paperback) |
Availability
| Library | Location | Call Number | Status | Item Actions |
|---|---|---|---|---|
| Electronic Resources | Access Content Online | ✔ Available |