Tools

LEADER 03241nam a22004938i 4500

001 ssj0003309533;

003 WaSeSS;

005 20260412090153.0;

006 m d ;

007 cr n ;

008 240402s2024 nju sb 001 0 eng d;

010 a| 2024005177;

020 a| 9781978838710q| (paperback);

020 a| 9781978838727q| (hardcover);

020 z| 9781978838734q| (epub);

020 z| 9781978838741q| (pdf);

035 a| (WaSeSS)ssj0003309533;

040 a| DLCb| engc| DLCd| WaSeSS;

042 a| pcc;

043 a| a-ko;

049 a| EREEa| NEHH;

050 00 a| PN1993.5.K6b| C543 2024;

082 00 a| 791.430951952| 23/eng/20240403;

100 1 a| Chung, Hye Seung,d| 1971-=| ^A703078;

245 10 a| Cinema under national reconstructionh| [electronic resource] :b| state censorship and South Korea's Cold War film culture /c| Hye Seung Chung.;

260 a| New Brunswick :b| Rutgers University Press,c| 2024.;

263 a| 2411;

300 a| pages cm;

504 a| Includes bibliographical references and index.;

506 a| Available only to authorized users.;

520 a| "Cinema Under National Reconstruction calls for a revisionist understanding of state film censorship during successive Cold War military regimes in South Korea (1961-1988). Drawing upon primary documents from the Korean Film Archive's digitized database and framing South Korean film censorship from a transnational perspective, Hye Seung Chung makes the case that, while political oppression/repression existed inside and outside the film industry during this period, film censorship was not simply a tool for authoritarian dictatorship. Through such case studies as Yu Hyun-mok's The Stray Bullet (1961), Ha Kil-jong's The March of the Fools (1975), and Yi Chang-ho's Declaration of Fools (1983), the author defines censorship as a dialogical process of cultural negotiations wherein the state, the film industry, and the public fight out a battle over the definitions and functions of national cinema. In the context of Cold War Korea, one cannot fully understand or construct film history without reassessing censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen"--c| Provided by publisher.;

538 a| Mode of access: World Wide Web;

650 0 a| Cold War in motion pictures.=| ^A486375;

655 0 a| Electronic books.=| ^A491897;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=31255399;

949 a| CLICK ON WEB ADDRESSw| ASISh| JOYNER188;

949 a| CLICK ON WEB ADDRESSw| ASISh| HSL77;

949 a| CLICK ON WEB ADDRESSw| ASISh| JMUSIC60;

596 a| 1 3 4;

998 a| 6716997;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6716997-1001l| JNETm| JOYNERr| Ys| Yt| JNESSBKu| 4/14/2026x| EBOOKz| JERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6716997-2001l| HSLELECm| HSLr| Ys| Yt| HEBKu| 4/14/2026x| EBOOKz| HERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6716997-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 4/14/2026x| EBOOKz| JERESOURCE;

Cinema under national reconstruction state censorship and South Korea's Cold War film culture / Hye Seung Chung.

Author/creator	Chung, Hye Seung, 1971-
Format	Electronic
Publication Info	New Brunswick : Rutgers University Press, 2024.
Description	pages cm
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Motion pictures--Korea (South). --History. --20th century. Cold War in motion pictures.

Abstract	"Cinema Under National Reconstruction calls for a revisionist understanding of state film censorship during successive Cold War military regimes in South Korea (1961-1988). Drawing upon primary documents from the Korean Film Archive's digitized database and framing South Korean film censorship from a transnational perspective, Hye Seung Chung makes the case that, while political oppression/repression existed inside and outside the film industry during this period, film censorship was not simply a tool for authoritarian dictatorship. Through such case studies as Yu Hyun-mok's The Stray Bullet (1961), Ha Kil-jong's The March of the Fools (1975), and Yi Chang-ho's Declaration of Fools (1983), the author defines censorship as a dialogical process of cultural negotiations wherein the state, the film industry, and the public fight out a battle over the definitions and functions of national cinema. In the context of Cold War Korea, one cannot fully understand or construct film history without reassessing censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen"-- Provided by publisher.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2024005177
ISBN	9781978838710 (paperback)
ISBN	9781978838727 (hardcover)
ISBN	(epub)
ISBN	(pdf)

Availability

Library	Location	Call Number	Status	Item Actions
	Electronic Resources	Access Content Online	✔ Available

Cinema under national reconstruction state censorship and South Korea's Cold War film culture / Hye Seung Chung.

Click here for more information about this title

Availability