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020 a| 9789492444813q| (hardcover);

020 a| 949244481Xq| (hardcover);

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245 00 a| Animo decipiendi?h| [electronic resource] :b| rethinking fakes and authorship in classical, late antique, & early Christian works /c| edited by Antonio Guzm©Łn and Javier Mart©Ưnez.;

260 a| Groningen :b| Barkhuis,c| 2018.;

300 a| vii, 325 pages :b| color illustrations ;c| 25 cm;

500 a| Includes abstracts.;

504 a| Includes bibliographical references and indexes.;

505 00 g| Introduction.t| Classical fakes and forgeries : wisdom from nobody? /r| Javier Mart©Ưnez --g| Greek literature.t| Logography reconsidered : new issues on cooperative authorship in Attic oratory /r| Markus Hafner --t| "Relative Hapax" in the Corpus Demosthenicum /r| Felipe G. Hern©Łndez Mu©łoz --t| Forgery as art in the documents inserted in the Attic orators /r| Konstantinos Kapparis --t| "To sound like Plato" : profiling the seventh letter /r| Klaus Lennartz --t| Onomakritos, rhapsode : composition-in-performance and the competition of genres in 6th-century Athens /r| Richard P. Martin --g| Latin literature.t| Authorship and authority in the preface to Justin's Epitome of Trogus' Philippic histories /r| Jackie Elliott --t| Spurious manuscripts of genuine works : the cases of Cicero and Virgil /r| Thomas G. Hendrickson --t| Artistic authority and the impotency of art : a reading of Ausonius' third Preface /r| Joseph Pucci --t| Ea vera clementia erit : the Epistulae ad Caesarem in 1st century AD public discourse /r| Paul Reichetanz --t| Young Vergil's very first poetic exercises : some remarks on the pseudo-Vergilian Liber distichon (AL 250-257 Sh. B. = AL 256-263 R.) /r| Markus Stachon --g| Late antique and early Christian works.t| Facts, fakes, or fiction? : considering ancient quotations /r| Christina Abenstein --t| Historia and Fabula : Dares Phrygius between truth and fiction in the twelfth century /r| Frederic Clark --t| Tertullian's attack on the Valentinians and the rhetoric of fake /r| Luca Grillo --t| Forging the feel of ancient ethnography in Pseudo-Jerome's Cosmography of Aethicus Ister /r| Antti Lampinen --t| The author-translator : progress or problem? : Augustinus on the Vetus Latina and Jerome's Vulgata /r| Markus M©ơlke --g| Epigraphy.t| Latin inscriptions and the eighteenth-century art market /r| Caroline Barron --t| Fakes, forgeries, and authenticity : the curious case of Flora /r| Alison E. Cooley --t| Phantom travels : on the story of a Lycian inscription /r| Fritz Graf.;

506 a| Available only to authorized users.;

520 8 a| Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes, forgeries and questions of authenticity. The result is this volume, in which our aim is to display some of the many possibilities available to scholarship. The exposure of fraud and the pursuit of truth may still be valid scholarly goals, but they implicitly demand that we confront the status of any text as a focal point for matters of belief and conviction. Recent approaches to forgery have begun to ask new questions, some intended purely for the sake of debate: Ought we to consider any author to have some inherent authenticity that precludes the possibility of a forger's successful parody? If every fake text has a real context, what can be learned about the cultural circumstances which give rise to forgeries? If every real text can potentially engender a parallel history of fakes, what can this alternative narrative teach us? What epistemological prejudices can lead us to swear a fake is genuine, or dismiss the real thing as inauthentic? Following 'Splendide Mendax', this is the latest installment of an ongoing inquiry, conducted by scholars in numerous countries, into how the ancient world - its literature and culture, its history and art - appears when viewed through the lens of fakes and forgeries, sincerities and authenticities, genuine signatures and pseudepigrapha. -- Back cover.;

538 a| Mode of access: World Wide Web;

650 0 a| Literary forgeries and mystificationsx| History.=| ^A1002154;

650 0 a| Classical literaturex| History and criticism.=| ^A18389;

650 7 a| Classical literature.2| fast0| (OCoLC)fst00863509;

650 7 a| Literary forgeries and mystifications.2| fast0| (OCoLC)fst00999922;

655 0 a| Electronic books.=| ^A491897;

700 1 a| Guzm©Łn, Antonio.?| UNAUTHORIZED;

700 1 a| Mart©Ưnez Garc©Ưa, Francisco Javier,d| 1965-?| UNAUTHORIZED;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=5763989;

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Animo decipiendi? rethinking fakes and authorship in classical, late antique, & early Christian works / edited by Antonio Guzm©Łn and Javier Mart©Ưnez.

Other author	Guzm©Łn, Antonio.
Other author	Mart©Ưnez Garc©Ưa, Francisco Javier, 1965-
Format	Electronic
Publication Info	Groningen : Barkhuis, 2018.
Description	vii, 325 pages : color illustrations ; 25 cm
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Literary forgeries and mystifications--History. Classical literature--History and criticism.

Contents	Introduction. Classical fakes and forgeries : wisdom from nobody? / Javier Mart©Ưnez -- Greek literature. Logography reconsidered : new issues on cooperative authorship in Attic oratory / Markus Hafner -- "Relative Hapax" in the Corpus Demosthenicum / Felipe G. Hern©Łndez Mu©łoz -- Forgery as art in the documents inserted in the Attic orators / Konstantinos Kapparis -- "To sound like Plato" : profiling the seventh letter / Klaus Lennartz -- Onomakritos, rhapsode : composition-in-performance and the competition of genres in 6th-century Athens / Richard P. Martin -- Latin literature. Authorship and authority in the preface to Justin's Epitome of Trogus' Philippic histories / Jackie Elliott -- Spurious manuscripts of genuine works : the cases of Cicero and Virgil / Thomas G. Hendrickson -- Artistic authority and the impotency of art : a reading of Ausonius' third Preface / Joseph Pucci -- Ea vera clementia erit : the Epistulae ad Caesarem in 1st century AD public discourse / Paul Reichetanz -- Young Vergil's very first poetic exercises : some remarks on the pseudo-Vergilian Liber distichon (AL 250-257 Sh. B. = AL 256-263 R.) / Markus Stachon -- Late antique and early Christian works. Facts, fakes, or fiction? : considering ancient quotations / Christina Abenstein -- Historia and Fabula : Dares Phrygius between truth and fiction in the twelfth century / Frederic Clark -- Tertullian's attack on the Valentinians and the rhetoric of fake / Luca Grillo -- Forging the feel of ancient ethnography in Pseudo-Jerome's Cosmography of Aethicus Ister / Antti Lampinen -- The author-translator : progress or problem? : Augustinus on the Vetus Latina and Jerome's Vulgata / Markus M©ơlke -- Epigraphy. Latin inscriptions and the eighteenth-century art market / Caroline Barron -- Fakes, forgeries, and authenticity : the curious case of Flora / Alison E. Cooley -- Phantom travels : on the story of a Lycian inscription / Fritz Graf.
Summary	Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes, forgeries and questions of authenticity. The result is this volume, in which our aim is to display some of the many possibilities available to scholarship. The exposure of fraud and the pursuit of truth may still be valid scholarly goals, but they implicitly demand that we confront the status of any text as a focal point for matters of belief and conviction. Recent approaches to forgery have begun to ask new questions, some intended purely for the sake of debate: Ought we to consider any author to have some inherent authenticity that precludes the possibility of a forger's successful parody? If every fake text has a real context, what can be learned about the cultural circumstances which give rise to forgeries? If every real text can potentially engender a parallel history of fakes, what can this alternative narrative teach us? What epistemological prejudices can lead us to swear a fake is genuine, or dismiss the real thing as inauthentic? Following 'Splendide Mendax', this is the latest installment of an ongoing inquiry, conducted by scholars in numerous countries, into how the ancient world - its literature and culture, its history and art - appears when viewed through the lens of fakes and forgeries, sincerities and authenticities, genuine signatures and pseudepigrapha. -- Back cover.
General note	Includes abstracts.
Bibliography note	Includes bibliographical references and indexes.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2019297429
ISBN	9789492444813 (hardcover)
ISBN	949244481X (hardcover)

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Animo decipiendi? rethinking fakes and authorship in classical, late antique, & early Christian works / edited by Antonio Guzm©Łn and Javier Mart©Ưnez.

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