| Contents |
Introduction: Kristeva at the Bleeding-Edge of Modernism: An Aesthetics of Ooze, Puke and Black Laughter / Maria Margaroni, English Studies, University of Cyprus, Cyprus -- Part I: Conceptualizing Kristeva -- Kristeva Telle Quelle, Danielle Marx-Scouras, Department of French and Italian, Ohio State University, USA -- Julia Kristeva: Chora, Infinity, Modernism / John Lechte, Sociology, Macquarie University, Australia -- Indifferent Feminine: Kristeva and the Avant-Garde / Miglena Nikolchina, Theory and History of Literature, Sofia University, Bulgaria -- Modernist Trajectories in Time: Kristeva's The Enchanted Clock / Carol Mastrangelo-Bové, English Department, University of Pittsburgh, USA -- Sanctity and Scandal: Teresa and the Challenge of 19th century 'False Mysticism' / Martha J. Reineke, Department of Philosophy and World Religions, University of Northern Iowa, USA -- The Traumatic Real: Securing the Symbolic Nation through the Law of the Veil / Tina Chanter, Philosophy and Gender Studies, Kingston University, UK -- Kristeva on Arendt: Politics and the Subject / Robin Truth Goodman, English, Florida State University, USA -- Part II: Kristeva and Aesthetics -- Modernism Unleashed and Deterred: Joyce, Céline and Arendt in Kristeva's Tale of the Century / Marios Constantinou, Independent Scholar, Cyprus -- The Fabric of Gothic Modernism: Powers of Horror in M. R. James's 'Oh, Whistle, and I'll Come to You, My Lad' / Nicholas Chare, Art History, Université de Montréal, QC, Canada -- 'Let it end, this cold insanity. Let it happen.' Kristeva's Melancholic : Modernism and the Parisian Novels of Jean Rhys / Rossitsa Terzieva-Artemis, Department of Languages and Literature, University of Nicosia, Cyprus -- Androgynous and a Foreigner: Orlando's Revolt / Christina Kkona, Research Fellow, Aarhus Institute of Advanced Studies, Denmark -- The Impact of Kristeva's Theory of Abjection on Modernist Art / Rina Arya, Visual Culture and Theory, University of Huddersfield, UK -- The Mirror Before the Mirror: Reflections on Kristeva and Martha Graham's Hérodiade / Robert R. Shane, Art History, Theory and Criticism, College of Saint Rose, Albany, NY, USA -- Part III: Glossary -- "abjection" David Koloszyc, Humanities, Philosophy and Religion, Vanier College, Montreal, QC, Canada -- "the avant-garde" / Christos Hadjiyiannis, Department of English, University of Cyprus, Cyprus "intertextuality" / Gertrude Postl, Philosophy, Women's and Gender Studies, Suffolk County Community College, Selden, NY, USA " -- intimate revolt" / Gertrude Postl, Philosophy, Women's and Gender Studies, Suffolk County Community College, Selden, NY, USA -- "female genius" / Elisabetta Convento, Romance Studies, Boston University, USA -- "Oedipus" / Maria Margaroni, Department of English Studies, University of Cyprus, Cyprus -- "the sacred" / Alison Jasper, Faculty of Arts and Humanities, University of Stirling, UK -- "semiotic/symbolic" / David Koloszyc, Humanities, Philosophy and Religion, Vanier College, Montreal, QC, Canada -- "subject-in-process/on trial" / Esther Hutfless and Elisabeth Schäfer, Department of Philosophy, University of Vienna, Vienna, Austria -- Part III: Glossary -- "abjection" / David Koloszyc, Humanities, Philosophy and Religion, Vanier College, Montreal, QC, Canada -- "the avant-garde" / Christos Hadjiyiannis, Department of English, University of Cyprus, Cyprus -- "intertextuality" / Gertrude Postl, Philosophy, Women's and Gender Studies, Suffolk County Community College, Selden, NY, USA -- "intimate revolt" / Gertrude Postl, Philosophy, Women's and Gender Studies, Suffolk County Community College, Selden, NY, USA -- "female genius" / Elisabetta Convento, Romance Studies, Boston University, USA -- "Oedipus" / Maria Margaroni, Department of English Studies, University of Cyprus, Cyprus -- "the sacred" / Alison Jasper, Faculty of Arts and Humanities, University of Stirling, UK -- "semiotic/symbolic" / David Koloszyc, Humanities, Philosophy and Religion, Vanier College, Montreal, QC, Canada -- "subject-in-process/on trial" / Esther Hutfless and Elisabeth Schäfer, Department of Philosophy, University of Vienna, Vienna, Austria |