Tools

LEADER 04147cam a2200565 i 4500

001 on1513583789;

003 OCoLC;

005 20251113142313.8;

008 250409t20252025scua b 001 0 eng d;

020 a| 9781638041801;

020 a| 1638041806q| (hardback);

020 z| 9781638041818q| (e-book);

020 z| 1638041814q| (e-book);

035 a| (OCoLC)1513583789;

050 4 a| PN56.M54b| M37 2025;

245 00 a| Marking whiteness :b| modernity's self, modernism's other /c| edited by Sonita Sarker and Jennifer P. Nesbitt.;

250 a| First edition.;

264 1 a| Clemson, SC :b| Clemson University Press,c| 2025.;

300 a| xiv, 272 pages :b| illustrations ;c| 24 cm;

336 a| textb| txt2| rdacontent;

337 a| unmediatedb| n2| rdamedia;

338 a| volumeb| nc2| rdacarrier;

504 a| Includes bibliographical references and index.;

505 00 t| Introduction: marking whiteness: modernity's self, modernism's other /r| Sonita Sarker and Jennifer P. Nesbittg| Section I.t| White aesthetics. --t| Ezra Pound and the paideuma of race /r| Gabriel Quigley --t| Adrian Stokes's aesthetics of whiteness /r| Heather H. Yeung --t| "Save that post-soul, post-black bullshit for somebody who gives a fuck": on high modernism and high seriousness in Paul Beatty's The Selloutr| / Lewis MacLeod --g| Section II.t| The Jamesian neurasthenia: modernity's curse or whiteness's shortcut /r| Wenwen Guo --t| Jessie Fauset's plum bun, whiteness and the color line: a novel of morality without a moral /r| Cyraina Johnson-Roullier --t| Marking white womanhood between the wars: surplus women and trafficked women /r| Annaliese Hoehling --t| Race, the future, the vote: Gertrude Colmore's Suffragette Sally /r| Jeremy Colangelo --g| Section III.t| Whiteness in inter/disciplinary practices. --t| Gertrude Stein's White Wines: performing (off)whiteness, (un)voicing racist language /r| Jane Goldman --t| Poetics and pedagogy of whiteness: Rankine, Stevens, and lyric difficulty /r| Kelly S. Walsh --t| Trifles? From Susan Glaspell to Zitḱal-Šá and back again, by way of a Norton anthology /r| Jennifer P. Nesbitt.;

520 a| Marking Whiteness is a scholarly volume that interrogates the unmarked dominance of Whiteness in Anglophobe Modernism and Modernist Studies. The editors and contributors aim to expose how Whiteness has shaped modernist aesthetics, cultural production, and institutional structures, while remaining largely invisible or unexamined. The book responds to two guiding questions: How can interrogating Whiteness transform Modernist Studies? What might inclusive methodologies, pedagogies, and institutional forms look like in this transformation?;

650 0 a| Modernism (Literature)x| History and criticism.=| ^A28401;

650 0 a| White peoplex| Race identity.=| ^A401293;

650 0 a| Race in literature.=| ^A235583;

650 0 a| Modernism (Literature)z| United Statesx| History and criticism.=| ^A211857;

650 0 a| Critical race theoryz| United States.=| ^A1422814;

650 0 a| Modernism (Literature)z| United States.=| ^A211857;

700 1 a| Sarker, Sonita,d| 1961-e| author,e| editor.1| https://id.oclc.org/worldcat/entity/E39PCjvvvFyW6xB9QPQJMhQtjy=| ^A533056;

700 1 a| Colangelo, Jeremy,e| author.?| UNAUTHORIZED;

700 1 a| Goldman, Jane,e| author.?| UNAUTHORIZED;

700 1 a| Guo, Wenwen,e| author.?| UNAUTHORIZED;

700 1 a| Hoehling, Annaliese,e| author.?| UNAUTHORIZED;

700 1 a| Johnson-Roullier, Cyraina,e| author.?| UNAUTHORIZED;

700 1 a| MacLeod, Lewis,e| author.?| UNAUTHORIZED;

700 1 a| Quigley, Gabriel,e| author.?| UNAUTHORIZED;

700 1 a| Walsh, Kelly S.,e| author.?| UNAUTHORIZED;

700 1 a| Yeung, Heather H.,e| author.?| UNAUTHORIZED;

949 a| Order on Demandw| ASISh| JOYNER219;

960 o| 1s| 150.00u| JSOCz| USD;

961 f| DMDm| 138099;

596 a| 1;

998 a| 6699698;

999 a| ORDER ON DEMANDw| ASISc| 1i| 6699698-1001l| JYBPDDAPm| JOYNERr| Ys| Yt| JYBPDDAPUu| 2/10/2026;

Marking whiteness : modernity's self, modernism's other / edited by Sonita Sarker and Jennifer P. Nesbitt.

Format	Book
Edition	First edition.
Publication	Clemson, SC : Clemson University Press, 2025.
Copyright Date	©2025
Description	xiv, 272 pages : illustrations ; 24 cm
Subjects	Modernism (Literature)--History and criticism. White people--Race identity. Race in literature. Modernism (Literature)--United States. --History and criticism. Critical race theory--United States. Modernism (Literature)--United States.

Other author/creator	Sarker, Sonita, 1961- author, editor. https://id.oclc.org/worldcat/entity/E39PCjvvvFyW6xB9QPQJMhQtjy
Other author/creator	Nesbitt, Jennifer Poulos, author, editor. https://id.oclc.org/worldcat/entity/E39PCjymRW8DtmchjvFf6k78RX
Other author/creator	Colangelo, Jeremy, author.
Other author/creator	Goldman, Jane, author.
Other author/creator	Guo, Wenwen, author.
Other author/creator	Hoehling, Annaliese, author.
Other author/creator	Johnson-Roullier, Cyraina, author.
Other author/creator	MacLeod, Lewis, author.
Other author/creator	Quigley, Gabriel, author.
Other author/creator	Walsh, Kelly S., author.
Other author/creator	Yeung, Heather H., author.
Contents	Introduction: marking whiteness: modernity's self, modernism's other / Sonita Sarker and Jennifer P. Nesbitt Section I. White aesthetics. -- Ezra Pound and the paideuma of race / Gabriel Quigley -- Adrian Stokes's aesthetics of whiteness / Heather H. Yeung -- "Save that post-soul, post-black bullshit for somebody who gives a fuck": on high modernism and high seriousness in Paul Beatty's The Sellout / Lewis MacLeod -- Section II. The Jamesian neurasthenia: modernity's curse or whiteness's shortcut / Wenwen Guo -- Jessie Fauset's plum bun, whiteness and the color line: a novel of morality without a moral / Cyraina Johnson-Roullier -- Marking white womanhood between the wars: surplus women and trafficked women / Annaliese Hoehling -- Race, the future, the vote: Gertrude Colmore's Suffragette Sally / Jeremy Colangelo -- Section III. Whiteness in inter/disciplinary practices. -- Gertrude Stein's White Wines: performing (off)whiteness, (un)voicing racist language / Jane Goldman -- Poetics and pedagogy of whiteness: Rankine, Stevens, and lyric difficulty / Kelly S. Walsh -- Trifles? From Susan Glaspell to Zitḱal-Šá and back again, by way of a Norton anthology / Jennifer P. Nesbitt.
Abstract	Marking Whiteness is a scholarly volume that interrogates the unmarked dominance of Whiteness in Anglophobe Modernism and Modernist Studies. The editors and contributors aim to expose how Whiteness has shaped modernist aesthetics, cultural production, and institutional structures, while remaining largely invisible or unexamined. The book responds to two guiding questions: How can interrogating Whiteness transform Modernist Studies? What might inclusive methodologies, pedagogies, and institutional forms look like in this transformation?
Bibliography note	Includes bibliographical references and index.
ISBN	9781638041801
ISBN	1638041806 (hardback)
ISBN	(e-book)
ISBN	(e-book)

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