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020 a| 9781138088689q| (hardback :q| alk. paper);

020 a| 9781138088696q| (paperback :q| alk. paper);

020 z| 9781315109718q| (ebook);

020 z| 9781351613903q| ebook;

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050 00 a| PN2071.S65b| M45 2003;

082 00 a| 792.0282| 23;

100 1 a| McAllister-Viel, Tara.?| UNAUTHORIZED;

245 10 a| Training actors' voicesh| [electronic resource] :b| towards an intercultural/interdisciplinary approach/ Tara McAllister-Viel.;

260 a| London ;a| New York :b| Routledge/Taylor & Francis Group,c| 2018.;

300 a| ix, 218 pages ;c| 24 cm.;

504 a| Includes bibliographical references and index.;

506 a| Available only to authorized users.;

520 a| "Contemporary actor training in the US and UK has become increasingly multicultural and multilinguistic. Border-crossing, cross-cultural exchange in contemporary theatre practices, and the rise of the intercultural actor has meant that actor training today has been shaped by multiple modes of training and differing worldviews. How might mainstream Anglo-American voice training for actors address the needs of students who bring multiple worldviews into the training studio? When several vocal training traditions are leaned simultaneously, how does this shift the way actors think, talk and train the voice? How does this change the way actors understand what a voice is? What it can/should do? How it can/should do it? Using adaptations of a traditional Korean vocal art, p'ansori, with adaptations of the 'natural' or 'free' voice approach, McAllister-Viel offers an alternative approach to training actors' voices by (re)considering the materials of training: breath, sound, 'presence', and text. This work contributes to on-going discussions about the future of voice pedagogy in theatre, for those practitioners and scholars interested in performance studies, ethnomusicology, voice studies, and intercultural theories and practices"--c| Provided by publisher.;

538 a| Mode of access: World Wide Web;

650 0 a| Voice culture.=| ^A29301;

650 0 a| Voice culturez| Korea (South)=| ^A29301;

650 0 a| P'ansori.=| ^A842829;

655 0 a| Electronic books.=| ^A491897;

856 40 z| Full text available from Taylor & Francis eBooksu| https://go.openathens.net/redirector/ecu.edu?url=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781315109718;

880 0 6| 505-00a| Conversations and methodologies: embodiment, interculturalism and practice-as-research -- What is the "natural/free" voice approach? -- What is songum [] in p'ansori []? -- The Role of Breath in training actors' voices -- The role of "presence" in training actors' voices -- Text/Vocal Text: the role of voice/sound and text.;

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Training actors' voices towards an intercultural/interdisciplinary approach/ Tara McAllister-Viel.

Author/creator	McAllister-Viel, Tara
Format	Electronic
Publication Info	London ; New York : Routledge/Taylor & Francis Group, 2018.
Description	ix, 218 pages ; 24 cm.
Supplemental Content	Full text available from Taylor & Francis eBooks
Subjects	Voice culture. Voice culture--Korea (South). P'ansori.

Abstract	"Contemporary actor training in the US and UK has become increasingly multicultural and multilinguistic. Border-crossing, cross-cultural exchange in contemporary theatre practices, and the rise of the intercultural actor has meant that actor training today has been shaped by multiple modes of training and differing worldviews. How might mainstream Anglo-American voice training for actors address the needs of students who bring multiple worldviews into the training studio? When several vocal training traditions are leaned simultaneously, how does this shift the way actors think, talk and train the voice? How does this change the way actors understand what a voice is? What it can/should do? How it can/should do it? Using adaptations of a traditional Korean vocal art, p'ansori, with adaptations of the 'natural' or 'free' voice approach, McAllister-Viel offers an alternative approach to training actors' voices by (re)considering the materials of training: breath, sound, 'presence', and text. This work contributes to on-going discussions about the future of voice pedagogy in theatre, for those practitioners and scholars interested in performance studies, ethnomusicology, voice studies, and intercultural theories and practices"-- Provided by publisher.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2018008811
ISBN	9781138088689 (hardback : alk. paper)
ISBN	9781138088696 (paperback : alk. paper)
ISBN	(ebook)
ISBN	ebook

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